Pinups (Remastered 2015)

Rating

Album: Pinups (Remastered 2015)
#	Song Title		Time
1)	Rosalyn (2015 Remastered Version)	More Info...
2)	Here Comes The Night (2015 Remastered Version)	More Info...
3)	I Wish You Would (2015 Remastered Version)	More Info...
4)	See Emily Play (2015 Remastered Version)	More Info...
5)	Everything's Alright (2015 Remastered Version)	More Info...
6)	I Can't Explain (2015 Remastered Version)	More Info...
7)	Friday On My Mind (2015 Remastered Version)	More Info...
8)	Sorrow (2015 Remastered Version)	More Info...
9)	Don't Bring Me Down (2015 Remastered Version)	More Info...
10)	Shapes Of Things (2015 Remastered Version)	More Info...
11)	Anyway, Anyhow, Anywhere (2015 Remastered Version)	More Info...
12)	Where Have All The Good Times Gone (2015 Remastered Version)	More Info...
2)	Here Comes the Night	More Info...	0:03
3)	I Wish You Would	More Info...	0:02
4)	See Emily Play	More Info...	0:04
5)	Everything's Alright	More Info...	0:02
6)	I Can't Explain	More Info...	0:02
7)	Friday On My Mind	More Info...	0:03
8)	Sorrow	More Info...	0:03
9)	Don't Bring Me Down	More Info...	0:02
10)	Shapes of Things	More Info...	0:03
11)	Anyway, Anyhow, Anywhere	More Info...	0:03
12)	Where Have All the Good Times Gone	More Info...	0:02

Album: Pinups (Remastered 2015)
#	Song Title		Time
1)	Rosalyn (2015 Remastered Version)	More Info...
2)	Here Comes The Night (2015 Remastered Version)	More Info...
3)	I Wish You Would (2015 Remastered Version)	More Info...
4)	See Emily Play (2015 Remastered Version)	More Info...
5)	Everything's Alright (2015 Remastered Version)	More Info...
6)	I Can't Explain (2015 Remastered Version)	More Info...
7)	Friday On My Mind (2015 Remastered Version)	More Info...
8)	Sorrow (2015 Remastered Version)	More Info...
9)	Don't Bring Me Down (2015 Remastered Version)	More Info...
10)	Shapes Of Things (2015 Remastered Version)	More Info...
11)	Anyway, Anyhow, Anywhere (2015 Remastered Version)	More Info...
12)	Where Have All The Good Times Gone (2015 Remastered Version)	More Info...
2)	Here Comes the Night	More Info...	0:03
3)	I Wish You Would	More Info...	0:02
4)	See Emily Play	More Info...	0:04
5)	Everything's Alright	More Info...	0:02
6)	I Can't Explain	More Info...	0:02
7)	Friday On My Mind	More Info...	0:03
8)	Sorrow	More Info...	0:03
9)	Don't Bring Me Down	More Info...	0:02
10)	Shapes of Things	More Info...	0:03
11)	Anyway, Anyhow, Anywhere	More Info...	0:03
12)	Where Have All the Good Times Gone	More Info...	0:02

Performer Notes

Personnel: David Bowie (vocals, guitar, harmonica, alto saxophone, tenor saxophone, Moog synthesizer); Mick Ronson (guitar, piano, background vocals); Ken Fordham (flute, harmonica, alto saxophone, tenor saxophone, baritone saxophone, Moog synthesizer, background vocals); Mike Garson (piano, electric piano, harpsichord, organ); Trevor Bolder (bass guitar); Aynsley Dunbar (drums); Geoff MacCormack, Mac Cormack (background vocals).
Recording information: Ch?teau d' H?rouville, France.
Photographer: Justin DeVilleneuve.
PIN UPS served as a sort of "how to" guide to David Bowie's career. This all-covers album shed light on his ability to adopt personas and emulate musical genres with amazing speed and diversity. It also showed that Bowie was anticipating a different musical climate for the rest of the decade, signifying a change from what was admired during the 1960s.
The psychedelic overtones of Pink Floyd's "See Emily Play" and the garage rock cynicism of the Easybeats' "Friday On My Mind" perfectly display Bowie's ear for melody and eye for pop-culture posturing. He even tips a hat to his more established influences. The Kinks' "Where Have All The Good Times Gone" sparks his interest as a memory-soaked ballad (a Ray Davies specialty), and with The Who's "Anyway, Anyhow, Anywhere" Bowie admits to not having invented the rock 'n' roll ego.
PIN UPS served another suitable purpose for the chameleonic performer, down-playing his other-worldly image by betraying his influences. By presenting Bowie as an actual fan--and not just an image/style manipulator--the album portrayed the singer in a different light, allowing him to loosen up his approach to performing and to step outside the multiple characters he had created for himself.

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