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Matters of the Heart
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Album: Matters of the Heart
# Song Title   Time
1)    Bang Bang Bang More Info...
2)    So More Info...
3)    I Used To Be A Sailor More Info...
4)    The Love That You Had More Info...
5)    Woman's Work More Info...
6)    If There Are The Things More Info...
7)    Short Supply More Info...
8)    Dreaming On A World More Info...
9)    Open Arms More Info...
10)    Matters Of The Heart More Info...
 

Album: Matters of the Heart
# Song Title   Time
1)    Bang Bang Bang More Info...
2)    So More Info...
3)    I Used To Be A Sailor More Info...
4)    The Love That You Had More Info...
5)    Woman's Work More Info...
6)    If There Are The Things More Info...
7)    Short Supply More Info...
8)    Dreaming On A World More Info...
9)    Open Arms More Info...
10)    Matters Of The Heart More Info...
 
Product Description
Product Details
Performer Notes
  • Personnel: Tracy Chapman (vocals, acoustic guitar); Bobby Womack (acoustic guitar); Mike Campbell (guitar, mandolin); Waddy Wachtel, Vernon Reid (guitar); Roy Bittan (accordion, keyboards); Charles Judge, Larry Williams (keyboards); Randy Jackson, Tony Levin, Larry Klein, Bob Glaub (bass); Manu Katche, Omar Hakim (drums); Mino Cinelu, Steve Thornton, Michael Fisher, Alex Acuna (percussion).
  • Engineers include: Thom Panunzio, Bradshaw Leigh, Niko Bolaso.
  • Chapman's debut and its quickly produced follow-up CROSSROADS sound very much alike. While not a total departure, 1992's MATTERS OF THE HEART has a much different, richer sound. Subtle elements of world music, blues, and jazz enrich the folk-based starkness of the previous records. Unfortunately, this album was slightly too different for many of Chapman's early fans, and the incorrect received wisdom claims that it's a creative misstep.
  • The more textured arrangements and Jimmy Iovine's slick but not sterile production support Chapman's lyrics without overpowering them, and those lyrics are more mature and personal than before. The sometimes-empty sloganeering of CROSSROADS is at the barest minimum here, with Chapman instead focusing on character sketches like the thoroughly lovely "I Used to Be a Sailor" and the delicate title track. One of Tracy Chapman's finest.
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