Covered in Filth
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Album: Covered in Filth: A Tribute to Crade of Filth
# Song Title   Time
1)    Principle of Evil Made Flesh, The - Wehrwolfe
2)    To Eve the Art of Witchcraft - Born Of Thorns
3)    Born in a Burial Gown - Serpents Aria
4)    Malice Through the Looking Glass - Mojtabah Mirzadeh
5)    No Time to Cry - D.D.T.
6)    Cthulhu Dawn - Chronzon
7)    Summer Dying Fast - Veil Of Anguish
8)    Suicide and Other Comforts - Kaul
9)    Black Goddess Rises, The - Noctuary
10)    Desire in Violent Overture - Lucifer
11)    From the Cradle to Enslave - Dark Army
12)    Forest Whispers My Name, The - Willow Wisp
13)    Dance Macabre - Kekal (bonus track)
 

Album: Covered in Filth: A Tribute to Crade of Filth
# Song Title   Time
1)    Principle of Evil Made Flesh, The - Wehrwolfe
2)    To Eve the Art of Witchcraft - Born Of Thorns
3)    Born in a Burial Gown - Serpents Aria
4)    Malice Through the Looking Glass - Mojtabah Mirzadeh
5)    No Time to Cry - D.D.T.
6)    Cthulhu Dawn - Chronzon
7)    Summer Dying Fast - Veil Of Anguish
8)    Suicide and Other Comforts - Kaul
9)    Black Goddess Rises, The - Noctuary
10)    Desire in Violent Overture - Lucifer
11)    From the Cradle to Enslave - Dark Army
12)    Forest Whispers My Name, The - Willow Wisp
13)    Dance Macabre - Kekal (bonus track)
 
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Product Details
Performer Notes
  • Personnel: Patrik (drums).
  • Audio Mixer: Salomon.
  • Recording information: Bandipaja Studio, Espoo, Finland.
  • Editor: Jason Myers.
  • Unknown Contributor Role: Tim Yasui.
  • Covered in Filth: A Tribute to Cradle of Filth compiles 13 tribute songs to British black- and Goth-metal veterans, Cradle of Filth. It includes material from every studio album except for Damnation and a Day; there's even "Suicide and Other Comforts" and "Born in a Burial Gown," from the cheekily-named 2001 collection Bitter Suites to Succubi. Its participants are a mixture of name-brands (Chronzon; Wehrwolfe) and hungry up-and-comers (Kaul; Born of Thorns). Well-known or not, there are strong performances throughout. The tangible doom that permeated Cradle of Filth's originals is lessened somewhat here, in favor of the more traditional or technical -- some of these tracks begin to resemble progressive metal covers of black metal mayhem. But this isn't necessarily surprising, given the inherent oddness (or darkness) of Filth's arrangements and surrounding aura. Standouts include Willow Wisp's histrionic run/tear through "Forest Whispers My Name," as well as "Desire in Violent Overture," rendered by the quite obviously-named Lucifer. ~ Johnny Loftus
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