Between Green and Blue

Rating

Album: Between Green and Blue
#	Song Title		Time
1)	Stormchaser	More Info...	0:05
2)	Plateau	More Info...	0:03
3)	Alone at the Shore	More Info...	0:04
4)	Share the Secret	More Info...	0:03
5)	Wild Things	More Info...	0:04
6)	Home	More Info...	0:01
7)	Loss of Words	More Info...	0:06
8)	Worlds	More Info...	0:05
9)	The Blue Sun	More Info...	0:04
10)	November	More Info...	0:03
11)	Emeralds	More Info...	0:05
12)	End of an Era	More Info...	0:04

Album: Between Green and Blue
#	Song Title		Time
1)	Stormchaser	More Info...	0:05
2)	Plateau	More Info...	0:03
3)	Alone at the Shore	More Info...	0:04
4)	Share the Secret	More Info...	0:03
5)	Wild Things	More Info...	0:04
6)	Home	More Info...	0:01
7)	Loss of Words	More Info...	0:06
8)	Worlds	More Info...	0:05
9)	The Blue Sun	More Info...	0:04
10)	November	More Info...	0:03
11)	Emeralds	More Info...	0:05
12)	End of an Era	More Info...	0:04

Performer Notes

Personnel: David Helping (guitar, keyboards, electronics); Matthew
Stewart (vocals, fretless bass).
Personnel: David Helpling (electric guitar, keyboards); Matthew Stewart (vocals, fretless bass).
Audio Mixers: David Helpling; Howard Givens.
Recording information: Morada; Spotted Peccary Studios, Encinitas, CA.
Illustrator: Greg Klamt.
Photographer: Angie M.
David Helpling's debut album is an exotic m‚lange of ambient textures, pulsing electro-tribal percussion, and world-music influences. Helpling mans the guitars, keyboards, and electronics, and gets assistance from bassist and sometimes vocalist Matthew Stewart in creating the moody, alluring landscape of BETWEEN GREEN AND BLUE. As its title seems to promise, the album lulls listeners into the space between primary and secondary colors; between clear, ordered thoughts; between waking and dreaming.
Helpling's melodies are often plaintive and haunting, yet an insistent percussive pulse keeps BETWEEN GREEN AND BLUE highly energized, making the whole thing feel like a trip through some digitally enhanced dream jungle. Sustained bass evokes rolling thunder at times, while the sequenced, multi-patterned drums make the sonic veldt teem with the life of insects, animals, and creeping vegetation. The high-end production is detail-rich, deepening the sonic experience (which is best enjoyed under headphones), yet for all of its intensity, BETWEEN GREEN AND BLUE is very atmospheric and soothing.

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