Paul Beatty is the author of the novels Tuff, Slumberland and The Sellout, and the poetry collections Big Bank Take Little Bank and Joker, Joker, Deuce. He was the editor of Hokum: An Anthology of African-American Humor. In 2016, he became the first American to win the Man Booker Prize for his novel The Sellout. In 2017, he was the winner the American Academy of Arts and Letters Literature Award. He lives in New York City.
"A bombastic coming-of-age novel . . . The White Boy Shuffle has the uncanny ability to make readers want to laugh and cry at the same time. Beatty mingles horrific reality with wild fancy without ever losing a grip on his story." --Los Angeles Times "The White Boy Shuffle is one of those novels of enormous energy and verbal dazzle . . . Mr. Beatty is a fertile and original writer, one to watch." --The New York Times "Laugh-out-loud funny and weep-in-silence sad . . . The language is always vibrant and alluring." --The Nation "Ferocious and funny and also streetwise." --The Boston Globe
Poet Beatty's (Big Bank Take Little Bank) first novel is a kaleidoscopic literary situation comedy about one unusual African American's search for identity within a wickedly caricatured American cultural and ethnic landscape. The protagonist, narrator Gunnar Kaufman, is the latest in a long and hilarious family line of groveling Uncle Toms and accommodating fools who must nevertheless confront racism with whatever talents or hustles they happen to have. The Kaufman family's "long cowardly queue of coons'' began in the 18th century with Euripides Kaufman (who purchased his freedom by charging people "to rub me head for good luck"); continued with Franz Von Kaufman ("exceedingly bootlicking even for a slave"); and included Gunnar's own despised and self-despising father, Rolf, a member of the LAPD noted for laughing uproariously at his white colleague's racist jokes. Though Beatty's exuberantly outrageous satire often veers into slapstick, he shows himself as an astute observer of the ubiquitous power of cultural stereotype and of the elasticity of identity and community. Alternately blocked by racist assumptions and a cultivated black insularity, Kaufman's passage to self-knowledge takes him from a childhood in affluent, mostly white Santa Monica (he was the cool black guy) to a sudden relocation to the pitiless black inner-city culture in L.A.'s gangbanging Hillside neighborhood and on to ever more absurd acclaim as a basketball prodigy and street-bred poet. Beatty has a gift for hyperbolic cartoon-like characterizations and poetic parody and a sharp ear for the vivid spoken-word poetry of hip hop and urban black slang. And although he's never met a corny joke he won't force on a reader, his language and outlandish characters combine to produce an extravagantly comic vision of the American cultural moment. Author tour. (June)
"A bombastic coming-of-age novel . . . The White Boy Shuffle has the uncanny ability to make readers want to laugh and cry at the same time. Beatty mingles horrific reality with wild fancy without ever losing a grip on his story." --Los Angeles Times "The White Boy Shuffle is one of those novels of enormous energy and verbal dazzle . . . Mr. Beatty is a fertile and original writer, one to watch." --The New York Times "Laugh-out-loud funny and weep-in-silence sad . . . The language is always vibrant and alluring." --The Nation "Ferocious and funny and also streetwise." --The Boston Globe
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