The Visual Components; Contrast & Affinity; Space Part One; Space Part Two; Line & Shape; Tone; Color; Movement; Rhythm; Story & Visual Structure; Practice, Not Theory; Appendix; Bibliography;
Bruce Block has worked in a creative capacity on dozens of feature films, television shows commercials and animated films. His feature film producing credits include Something's Gotta Give, What Women Want, America's Sweethearts, The Parent Trap, and Father of the Bride I & II. He served as creative consultant on Spanglish, As Good As It Gets, Stuart Little and many other feature films and television productions. He is an adjunct Professor at the USC School of Cinema & Television and teaches classes in visual structure at the American Film Institute, PIXAR Studios, Walt Disney Feature and Television Animation, Dreamworks Animation, Nickelodeon Animation Studios, Industrial Light & Magic and a variety of film schools in Europe. Mr. Block also consults with video game designers and software companies creating new interactive media. He can be reached at www.bruceblock.com.
"Bruce Block has a unique knowledge and understanding of the visual
structure of film. The Visual Story is the only book of its kind.
it will teach you to become a better storyteller through the use of
visuals." - Nancy Meyers, Director of "Something's Gotta Give" and
"The Holiday"
"Bruce Block masterfully deconstructs visual storytelling. Exposure
to this material is essential for all students of cinema. This book
will make you a better filmmaker." --American Film Institute
"Bruce Block's work gives the visual storyteller a framework for
making story-driven decisions, not just visual choices. It gives
the filmmaker tools to create harmony and counterpoint between the
story structure and its visual realization on the screen." --Randy
Nelson, Dean of Pixar University, Pixar Animation Studios
"No matter what kind of visual storyteller you are, whether a
filmmaker, photographer, or graphic designer, Bruce Block explains
how visual narrative works in a way that is clear and accessible."
--David Pagani, Creative Director-On Air, DIRECTV
"Bruce Block is legendary in the field of broadcast design. His
profound insight into the art of visual storytelling will forever
change the way you work." --Dan Pappalardo, Executive Creative
Director/Partner, Troika Design Group
"I spend much of my time in pre-production quoting Bruce Block to
my cinematographers, production designers, costume designers, and
editors. In all my years in the business I've never found a clearer
more useful articulation of film grammar." --Jay Roach, director of
Austin Powers, Meet the Parents, and Meet the Fockers
"You hold in your hand a key to understanding the complex and ever
changing world of modern cinema."
--Charles Shyver, director of Alfie, Father of the Bride I & II,
and Baby Boom
"Bruce Block's in-depth understanding of Visual Structure is
inspirational to those working in animation. This reference source
is invaluable and essential for any artist." --Walt Disney
Television Animation
"I think every cinematographer-in-training should read this book.
It will teach them how important collaboration with others in the
crew is by having an overall concept of all that goes into the
creation of the Visual Story." - Rexford Metz, ASC
"His book is a sort of Elements of Style for filmmakers, and any
screenwriter, director or cinematographer with a point of view will
find a great deal of creative inspiration in The Visual Story's
guide to the fundamentals of the craft....The Visual Story makes
the very convincing argument that all of these media require
precise, motivated visual designs in order to be effective - and
that having a point to make or a story to tell is only half the
battle." - American Cinematographer
"In a great story - and in a great speech - there is ebb and flow,
there is silence and there may be thunder... In a wonderful book
about the power of the visual in storytelling by Bruce Block (The
Visual Story: Creating the Visual Structure of Film, TV, and
Digital Media), the author uses these three basics of story -
Exposition, Climax, Resolution - to show the link between visual
structure and story structure." -Garr Reynolds, Presentation Zen
(http://www.presentationzen.com/)
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