Billy Decker has been a leading mix engineer in Nashville, USA, for more than twenty years. Billy mixes quickly using a mix template, completing around 1000 songs each year. He has mixed multiple Billboard No 1 singles and accredited sales of albums containing his mixes total over 25 million copies. Simon Taylor is a British music creator and educator. He has been a member of the music industry for over twenty years and has qualifications in music technology and advanced recording techniques.
This book is a gift of gratitude to anyone that wants to take a
step into out-of-this-world sounding songs.
*Rodney Atkins, multi-million selling recording artist*
This book is accessible and engaging, with plenty of pithy
one-liners that make serious and thought-provoking points.
Essential reading for anyone interested in improving their mixing
skills, and streamlining their working methods.
*Sound on Sound*
Some absolute gems of advice to pick up here. The brilliant and
clear way everything is presented and the actual (hallelujah!)
settings for your template laid out for you, make this essential
for any mix engineer, or anyone striving to be one.
*Computer Music Review*
The book is also an excellent reference for identifying frequencies
a pro mixer will often cut or boost on certain instruments; I
always nodded my head at Billy’s choices. Throughout the book there
are a lot of thoughts and practices that will help a mix engineer
keep their focus, searching for “feel” as opposed to “perfection.”
There really is a lot of information packed into these 126
pages.
*Tape Op*
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