The gripping new thriller from the bestselling author of Munich, An Officer and A Spy and Fatherland
Robert Harris is the author of fourteen bestselling novels- the Cicero Trilogy - Imperium, Lustrum and Dictator - Fatherland, Enigma, Archangel, Pompeii, The Ghost, The Fear Index, An Officer and a Spy, which won four prizes including the Walter Scott Prize for Historical Fiction, Conclave, Munich, The Second Sleep and V2. Several of his books have been filmed, including The Ghost, which was directed by Roman Polanski. His work has been translated into forty languages and he is a Fellow of the Royal Society of Literature. He lives in West Berkshire with his wife, Gill Hornby.
A thoroughly absorbing, page-turning narrative in which the author,
with his customary storytelling skills, pulls us ever deeper into
the imaginative world he has created. It [also] poses challenging
questions about the meaning of the past, the idea of progress and
the stability of civilisation. It is a fine addition to Harris’s
diverse body of work.
*Sunday Times*
A return to the type of high-concept novel that made his name . . .
[T]he writing is elegant and pacy. The characters are fleshed out
and the plot zips along.
*The Times*
A truly surprising future-history thriller. Fabulous, really.
*Evening Standard*
Harris is rightly praised as the master of the intelligent
thriller. Genuinely thrilling, wonderfully conceived and entirely
without preaching, it probes the nature of history, of collective
memory and forgetting, and exposes the fragility of modern
civilisation.
*Daily Telegraph, 5 stars ******
Harris's bleak imagined world issues a clarion call to the present,
urging us to recognise the value of progress, the importance of
woolly concepts like liberalism and the rule of law, and all the
other ideals we’ve spent generations fighting for yet seem prepared
to sacrifice on the altar of populism. For make no mistake, this
novel [is] very much about the here and now . . . Harris is a
master of plotting and, in elegant, understated third-person prose,
he ratchets the tension ever upwards . . . this is nothing if not a
page-turner.
*Observer*
Reading Robert Harris’s historical thrillers feels like attending a
Simon Schama lecture on a roller-coaster – you come away with a new
perspective on history while feeling dizzy with excitement . . . In
The Second Sleep he takes us on a thrilling ride while serving up
serious food for thought . . . I doubt there is a living writer who
is better at simultaneously making readers’ adrenaline pump while
their brains whirr.
*Sunday Express, 4 stars *****
When Harris is at his best — and here he is — he writes with a
skill and ingenuity that few other novelists can match. In this
case, the usual page turning pleasures are joined by something
else: a sense that, through his historical-futuristic setting,
Harris has found a unique vantage point to comment on the present .
. . This is a novel that not only makes you smile at its author’s
brilliance, but induces a shiver of dread at how real it all
seems.
*Financial Times*
With a story of forbidden love joining larger themes, this vividly
imagined, brilliantly clever novel is – as you’d expect from the
author of Fatherland and Archangel – an absolutely class act.
*Sunday Mirror*
Harris . . . is a fearless writer. The Second Sleep races along at
breakneck speed. The prose is pure, elegant, never tricky and his
imagination knows no bounds.
*Daily Express*
It is a strange premise for a thriller, but Robert Harris is such a
wily old hand that it is a pleasure to accompany him on his time
travels.
*Mail on Sunday*
Harris takes you on a thrilling ride while serving up serious food
for thought.
*Daily Mirror*
Harris has contrived to do something rather brilliant and new. He
has put us at the heart of the mystery.
*Guardian*
It’s a provocative, tub-thumping sci-fi of which H. G. Wells might
have been proud.
*Daily Mail*
As he flexes the ample muscle of his imagination, you will be left
pondering as often as you are page-turning.
*i paper*
Harris weaves a smart, intriguing story that cements his reputation
as, in the words of the cover, 'master of the intelligent
thriller'. He's that perfect combination of equally fine writer and
storyteller; the narrative is satisfying and the prose is
evocative. The world of The Second Sleep is plausible and richly
imagined.
*Irish Independent*
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