What explains spectral sightings? Why do we fear the supernatural? Why are some people or cultures more likely to experience hauntings than others? And what proof is there?
Raised in a haunted house, Roger Clarke is best known as a film-writer for the Independent newspaper and more recently Sight & Sound. He was the youngest person ever to join the Society for Psychical Research in the 1980s and was getting his ghost stories published by the The Pan & Fontana series of horror books aged only 15, when Roald Dahl asked his agent to take him on as a client. A published poet, his libretto for The Man with the Footsoles of Wind was performed at the Almeida Theatre in London in 1993. This is the book he always wanted to write.
Beautifully written ... lithe, complicated and hugely rewarding
*Sunday Times*
Simmering as it is with personal reflections, this handsome volume
... is bursting with a giddy passion, buoyed further by an expert's
thirst for abstruse facts. The main pleasure of reading this book
is Clarke's own enthusiasm, intelligence and seriousness ... a
deeply interesting, revealing read
*Book Hugger*
Splendid ... compelling ... Clarke manages to give goose-flesh and
a giggle while informing the reader - an enviable feat
*Scotsman*
A highly enjoyable (and disturbing work) ... I am in awe of
[Clarke's] intrepidity
*Guardian*
Outstanding ... Clarke's dissection of the shocks, sadnesses and
sexiness of the seance tables from the late Victorian era is
brilliantly done ... The book is deeply enjoyable, hugely
informative and at times distinctly unsettling
*Shade Point*
Britain has over 500-years' worth of ghost stories in the cupboard
and in The Natural History of Ghosts, Roger Clarke makes them dance
... the most original and readable book exploring our ghost-rich
culture to appear for years ... fascinating
*Fortean Times*
Clarke's examination of the need people have to believe remains
insightful and illuminating throughout
*Observer*
Roger Clarke explores the endlessly fascinating subject of the dead
who won't lie down, the places they haunt, as well as the hysteria
and panic they inspire. Why and how over 500 years their existence
has never been scientifically proved - but at the same time, never
disproved. Ghosts are masters of the elusive and ambiguous, but
Clarke is a master investigator
*Daily Mail*
An intriguing, shivers-down-the-spine book
*The Lady*
Lively and absorbing ... [Clarke] has proven himself an ideal guide
to this troubled and disorderly realm
*Literary Review*
Roger Clarke tells . . . gloriously weird stories with real verve,
and also a kind of narrative authority that tends to constrain the
sceptical voice within. There's simply so many of these accounts,
each unique to its own setting but having much in common with the
rest, particularly poltergeist activity and ghostly apparitions.
What prevents the reader from casually dismissing it all as the
delusions of disturbed minds is the frequent presence of some
unflappable English person unlikely to be rattled by a mere bump in
the night . . . [an] erudite and richly entertaining book
*New York Times*
A fascinating social history ... exceptionally well written and
researched
*Starburst Magazine*
Why do ghosts wear clothes? This is just one of a number of
interesting questions raised by this jaunty book ... In a series of
short, snappy chapters, Clarke examines the evidence for just about
every ghost who ever drew, or withdrew, breath ... but A Natural
History of Ghosts is also haunted by another story, lurking not
very far beneath: the story of the author's childhood need to
believe in ghosts, and the gradual erosion of that belief
*Daily Mail*
A gripping history that traces the scientific and social aspects of
ghostly sightings
*Telegraph*
Compelling ... Research into the paranormal necessarily involves a
fair degree of debunking, and Clarke is careful to be sceptical.
The narrative of ghost-hunting is simultaneously a history and
exposure of fraud and popular delusion ... [yet] Clarke retains a
boyish and ... well-informed enthusiasm for his subject
*Independent*
[A] voyage through the half-lit world of lost souls ... tales told
with ghoulish relish
*Telegraph*
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