Table of Contents

1. Introduction PART I The Najd and Upper Gulf Region 2. Bedouin Arts 3. Bedouin Women’s Music and Dance 4: Taggāgāt: Female Drumming Bands 5: Hadar Arts from the Najd: Songs with Drums 6: Hadar (Khammāri) Arts in the Upper Gulf 7: Gulf Wedding Practices and Songs 8: Incoming Arts: African and Persian 9: Sea Music Traditions, and Saūt PART 2 The Hijaz and Southwest Region 10. Hijazi Folk Traditions 11: Tā'if and Music 12: Art Music of the Hijazi Cities 13: Hijazi Women and Music Making 14: Distinguished Hijazi Artists 15: Introduction: Southwestern Arabia 16: Asīr Genres and Traditions 17: Bīsha and Bāha Arts 18: Jīzān Music and Dance 19: Musical Aspect of Najrān Appendix: Comments on Contemporary Arts and 'Adani Glossary Bibliography Index

About the Author

Lisa Urkevich Ph.D. is a professor of Musicology/Ethnomusicology and Chair of the Department of Music and Drama at the American University of Kuwait where she teaches courses on music and rituals of Saudi Arabia and the Gulf States.

Reviews

'The rich and varied music and folk-dance traditions of Saudi Arabia, Kuwait, Bahrain and Qatar are little known outside the eastern peninsular region itself. This pioneering and detailed guidebook to those arts is appropriate for both general readers and specialists. It covers the song and dance traditions of Bedouin tribes and villagers, the sophisticated music of the cities, and the songs of seafarers and pearl divers. Included are several accounts of women’s wedding traditions, as well as a cd with 31 excellent audio examples... For anyone seekinga greater understanding of the traditional folk arts of the Arabian Peninsula, including those performed annually at the Saudi Janadriyah festival, this will also be a useful guide.' —Kay Hardy Campbell, Aramco World Magazine'The Arabian Peninsula is complex and has always been so. This fine volume by Lisa Urkevich opens more doors to understanding the region than you might expect...Urkevich's writing is lucid and informative, [and] visually laid out better than most; it offers guideposts but lets the reader dive into any chapter without the need for reading earlier chapters...I highly recommend Music and Traditions of the Arabian Peninsula.' —Richard Dorsett, RootsWorld'This is an ambitious, well-researched and ground-breaking survey. The scope of the work is vast, the result of a rich ethnography which creates an impressive distillation of the results of many years of study. It also constitutes a significant documentation of an area hitherto inadequately researched, providing us with a major scholarly contribution to the field.' —British-Kuwait Friendship Society Book Prize in Middle Eastern Studies"Urkevich (American Univ. of Kuwait) has written an excellent introduction to music and traditions in various regions of the Arabian Peninsula. (...) Musicologists will appreciate the historical background of music styles of the geographic area—information sustained by transcriptions of folk songs both vocal and instrumental. Ethnomusicologists will find that the book provides sufficient information with which to address the focal question of the field: why is the music the way it is? (...) Summing Up: Recommended" - K. W. Mukuna, Kent State University in CHOICE"Lisa Urkevich has written an impressive introductory source for those who wish to explore the musical genres of the Arabian Peninsula. The book is based on the author’s fieldwork and personal experiences, and presented in a semi-textbook format for wider readership." - Issa Boulous, Harper College