Table of Contents

Introduction: Music Seen: The Formats and Functions of the Music Documentary Part I: Evolutions of the Music Documentary Part II: Scenes from the Sixties Part III: Punk Cultures Part IV: "Mockumentaries" and "Rockumentaries" Part V: New Directions in the Music Documentary

About the Author

Robert Edgar is Head of the MA programmes in Film and Documentary at York St John University.

Kirsty Fairclough-Isaacs is Lecturer in Media and Performance in the School of Media, Music and Performance at the University of Salford.

Benjamin Halligan is the Director of Postgraduate Research Studies for the College of Arts and Social Sciences, University of Salford. Publications include Michael Reeves (2003) and Reverberations: The Philosophy, Aesthetics and Politics of Noise (2012).