Monet in Giverny


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Table of Contents

Foreword; Acknowledgements; Director's Foreword - Aaron Betsky; Catalogue Plates; 'Landscapes, Waterscapes, and Reflection in Giverny' - Benedict Leca; 'Mirrored Waters: Reflections on Monet and his Predecessors' - Lynne D. Ambrosini; 'Fragments and Reflections: Monet, War, and Ellen Johnson' - Andria Derstine; 'From Instant to Envelope: Reflections on Monet, Photography, and Time' - Beth E. Wilson; 'Monet and Giverny', L'Art dans les Deux mondes (March 7, 1891), Octave Mirbeau, Translated by Benedict Leca; Endnotes; Selected Bibliography; Photographic Credits; Index.

About the Author

Benedict Leca is curator of European Painting, Sculpture, and Drawings at the Cincinnati Art Museum. A specialist in the art and culture of eighteenth- and nineteenth-century France, he is the contributing editor of 'Rembrandt: Three Faces of the Master' (2008), 'Thomas Gainsborough and the Modern Woman' (2010), and most recently the author of 'The World is an Apple: Cezanne's Parisian Stilllifes and Portraits' in Cezanne et Paris (2011). Lynne D. Ambrosini is chief curator at the Taft Museum of Art, Cincinnati. She has organised exhibitions at the Minneapolis Institute of Arts and the Taft; published articles on J.F. Millet, E. Manet, and F. Daubigny; and authored a catalogue of Rodin bronzes belonging to the Brooklyn Museum. Andria Derstine is Curator of Collections and Curator of European and American Art at the Allen Memorial Art Museum, Oberlin College. She co-authored 'Masters of Italian Baroque Painting: The Detroit Institute of Arts', and 'Allen Memorial Art Museum: Highlights from the Collection'. Beth E. Wilson is a Lecturer in the Department of Art History, The State University of New York at New Paltz, and a contributor to 'The Art Seminar: Photography Theory', edited by James Elkins in 2007.

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