1: Images in Crystal; 2: Amnesia and the Time-image; 3: Voyeurism and Futurity; 4: Identification and Disaster; Conclusion
Emma Wilson
A sophisticated and insightful study... successfully challenges the
commonly-held view that Kieslowski was first and foremost a
humanist and a moralist.--unsigned notice "Forum for Modern
Language Studies, 38.4, 2002, 480 "
Those who see him as a key film-maker on a par with Bergman and
Fellini will find detailed and sympathetic support in this book.
The sceptics, too, should be persuaded by this thoughtful analysis
of a cinema in denial'.--Phil Powrie "French Studies, LVI.2, 2002,
288-9 ""
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