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"Madness" "One Step Beyond"
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About the Author

Terry Edwards is a multi-instrumentalist, playing saxophones, trumpet, guitar and keyboards both as a session musician and as leader of his own outfits, Terry Edwards & the Scapegoats and Butterfield 8. Over the years he has worked with, amongst others, Nick Cave & the Bad Seeds, David Gray, Robyn Hitchcock, Lydia Lunch, Tindersticks, PJ Harvey, Gallon Drunk, Jesus & Mary Chain and he was in the band for Tom Waits' stage production The Black Rider (performed in London, San Francisco, Sydney and Los Angeles). He co-founded The Higsons in 1980 with Charlie Higson, and has had a working relationship with all the members of Madness for over 20 years. He also writes record reviews for Time Out in London.

Reviews

"It was only a matter of time before a clever publisher realized that there is an audience for whom Exile on Main Street or Electric Ladyland are as significant and worthy of study as The Catcher in the Rye or Middlemarch... The series, which now comprises 29 titles with more in the words, is freewheeling and eclectic, ranging from minute rock-geek analysis to idiosyncratic personal celebration--The New York Times Book Review Ideal for the rock geek who thinks liner notes just aren't enough--Rolling Stone One of the coolest publishing imprints on the planet--Bookslut These are for the insane collectors out there who appreciate fantastic design, well-executed thinking, and things that make your house look cool. Each volume in this series takes a seminal album and breaks it down in startling minutiae. We love these. We are huge nerds. - Vice A brilliant series...each one a word of real love - NME (UK) Passionate, obsessive, and smart - Nylon Religious tracts for the nock 'n' roll faithful - Uncut (UK) We...aren't naive enough to think that we're your only source for reading about music (but if we had our way...watch out). For those of you who really like to know everything there is to know about an album, you'd do well to check out Continuum's "33 1/3" series of books." - Pitchfork"

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