Danell Jones is a writer and scholar with a PhD in literature from Columbia University. She is the author of The Virginia Woolf Writers' Workshop; the poetry collection 'Desert Elegy'; and 'An African in Imperial London' (also published by Hurst), which won the High Plains Book Award for Nonfiction.
‘An entertaining, inventive dissection of the mores and
contradictions of Woolf’s life and times.’
*The Sydney Morning Herald*
'[A] kaleidoscopic study … [Jones’s] thorough overview of the hoax
and its afterlives presents a unique window onto the early
20th-century British empire.'
*Publishers Weekly*
‘Jones introduces many of the extraordinary Black individuals’
resident in the U.K. at the time, including in Woolf’s Bloomsbury,
some of whom would go on to play crucial roles in the dismantling
of Empire (arguably still ongoing).’
*The New York Journal Review of Books*
‘A fascinating, unnerving, and enlightening perspective on a
transformative writer and the society that forged her sensibility,
radical creativity, and despair.’
*Booklist*
‘The Girl Prince is at its most interesting when Jones draws in the
contemporary experiences of black people in Britain.’
*Literary Review*
‘A superb book, splendidly written, deeply researched and richly
contextualized.’
*Virginia Woolf Miscellany*
'Deeply researched and marvellously written, this is the book about
Bloomsbury and the Dreadnought Hoax that we've been waiting for.
Jones gives an essential racial and historical context for the
event and its aftermath, which continues to this day.'
*Gretchen Gerzina, author of Black England: A Forgotten
Georgian History*
'An enlightening and insightful book that keeps you reading.'
*Remi Adekoya, author of Biracial Britain*
'An enthralling book. Danell Jones at last provides the nuanced
context and deep historical research so often lacking in commentary
on this infamous incident.'
*Mark Hussey, author of Virginia Woolf A–Z and Clive
Bell and the Making of Modernism*
'While some may feel they already know all there is to know about
the Dreadnought Hoax, until they read The Girl Prince, they really
don’t.'
*Virginia Woolf Bulletin*
‘A captivating exploration of a little-known chapter in the life of
Virginia Woolf, blending history, race, and identity into a
compelling narrative.’
*Oxford University Press blog*
‘Shows how the Dreadnought hoax ignored its implicit but negative
impact on Black people in Britain and around the world… . A fine
book.’
*National Maritime Historical Society*
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