Working With Looks

Bleach Bypass Looks

Blue-Green Swap

Blurred and Colored Vignettes

Cross-Processing Simulation

Day-for-Night Treatments

Duotones and Tritones

Emulating Film Stock

Film Looks Other Than Grading

Flat Looks and Film Flashing

Flattened Cartoon Color

Glows, Blooms, and Gauze Looks

Grain, Noise, and Texture

Greenscreen Compositing Grading Workflows

Lens Flaring and Veiling Glare

Light Leaks and Color Bleeds

Monitor and Screen Glow

Monochrome Looks

Sharpening

Tints and Color Washes

Undertones

Vibrance and Targeted Saturation

Vintage Film

About the Author

Alexis Van Hurkman is a writer, director, and colorist based in Saint Paul, Minnesota. He has written widely on the topic of color correction, including Color Correction Handbook; Adobe SpeedGrade Classroom in a Book; Autodesk Smoke Essentials; and Apple Pro Training Series titles The Encyclopedia of Color Correction, Advanced Color Correction and Effects in Final Cut Pro, and Final Cut Pro X Advanced Editing. Alexis has also written software documentation, including the DaVinci Resolve Manual and the Apple Color User Manual. As a working colorist, Alexis grades a wide variety of commercial and independent projects for broadcast, narrative and documentary features and shorts, spots, and experimental subjects. You can learn more about Alexis at http://vanhurkman.com/ or follow him on Twitter at @hurkman.

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About the Author