Henry Green (1905–1973) was the pen name of Henry Vincent
Yorke. Born near Tewkesbury in Gloucestershire, England, he was
educated at Eton and Oxford and went on to become the managing
director of his family’s engineering business, writing novels in
his spare time. His first novel Blindness (1926), was written
while he was at Oxford. He married in 1929 and had one son, and
during the Second World War served in the Auxiliary Fire Service.
Between 1926 and 1952 he wrote nine novels, Blindness, Living,
Party Going, Caught, Loving, Back, Concluding, Nothing, and Doting,
and a memoir, Pack My Bag.
James Wood is a novelist and a staff critic at The New
Yorker. He is Professor of the Practice of Literary Criticism at
Harvard University.
"First published in 1943 and now reissued in the New York Review
Classics series, Caught manages the improbable feat of being
both a harrowing war story of London during the Blitz and a sharply
observed comedy about social class. Green was a silver-spoon
aristocrat, but his ear for common speech was as keen as
Dickens’s." —Charles McGrath, The New York Times Book
Review
“In its lyrical treatment of ordinary London lives it has a mood
and style quite unlike anything else I’ve come across in other
fiction of the time.” —Sarah Waters, The Sunday Times
“The subject of all Henry Green’s later novels is the inner
language and landscape in which his characters lead their real
lives. . . . This distinctly upper-class artist is pretty well the
first English novelist to have listened to working-class speech and
to have understood its overtones and undertones. . . . He could of
course have been playing a clever game; but he was not. The morbid,
the comic, the lyrical, and even the mannered aspects of his talent
were not affected: fierce, fantastic and eccentric as it could be,
his material came from the outside and mingled with his
nature.” —V.S. Pritchett
"Green's acrobatic syntax yields not an easy reading experience but
a rewarding one, as he weaves multiple narratives over and through
one another, reeling among perspective shifts, zigzagging through
clouds of memory and conjecture….Dense and often funny, this
reissue is necessary reading for fans of both Green and modernist
fiction.” —Kirkus starred review
Praise for Henry Green:
"Seductive and pleasing...[an]original and engaging author, who
wrote about social class--or, rather, the social classes, all of
them--with a mordancy and affection that have seldom been
surpassed...Henry Green wrote the way he did, in other words,
because he couldn't write any other way; he was not a fabulist but
a realist, who described the world just as he experienced it."
—Charles McGrath, The New York Times
"Green's working aesthetic was delicate, allusive, and cryptic...
He could produce a vivid image with a minimum of words...Green
himself ardently mixes darkness and light, and his work must always
appeal to those readers who, like him, do not fear life's
inevitable contradictions." —Brooke Allen, New Criterion
"One of the most piquant and original English writers not only of
his generation but of the century." —John Updike, The New
Yorker
Green’s gift is that he is able to communicate...that feeling of
being present in history before it becomes history, of being adrift
in a story with many words left yet unwritten.
—Michalle Gould, The Rumpus
Green’s acrobatic syntax yields not an easy reading experience but
a rewarding one, as he weaves multiple narratives over and through
one another, reeling among perspective shifts, zigzagging through
clouds of memory and conjecture….Dense and often funny, this
reissue is necessary reading for fans of both Green and modernist
fiction.
—Kirkus starred review
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