Promotional Information

A linked series of short stories about police detective Natsume whose human touch melts the hearts of recalcitrant suspects and jaded readers alike. Up and coming author Yakumaru's most chiseled work to date, this work will mark his U.S. debut.

About the Author

Born in 1969 and raised in the Kobe suburb of Akashi, Gaku Yakumaru grew up on film. He was obsessed with the medium since he was a small child and has long considered himself a Steve McQueen fan. So before he made it big as a writer, Yakumaru had ambitions to become an actor and as a youth he left for Tokyo to pursue his dreams.

In the capital, his focus would eventually change from acting to writing. Under the guidance of experienced authors and screenwriters, Yakumaru would develop a voice that would quickly be accepted throughout the country. In 2004 his first novel Tenshi no Knife (Angel's Knife) was awarded the Rampo Edogawa Award by the Mystery Writers of Japan for best crime fiction work by a new author. He would then come to be recognized by many other outlets including Kodansha's Eiji Yoshikawa Award for best young author and the Haruhiko Ohyabu Award for best hardboiled fiction. As of late, many of his 13 books have received film and TV adaptations further expanding his reach and cementing his place as one of Japan's best known crime fiction authors today.

Reviews

“A COP’S EYES by Gaku Yakumaru is a book for those who like something a bit different in their crime fiction…. If A COP’S EYES fits into a genre slot, it is police procedural in that it follows the work of detective Natsume, a quiet, gentle man who moved into policing after working in a reformatory for troubled children. But here any link to the traditional police procedural ends…. Natsume believes in justice and the law, but this is a justice tempered with a very human mercy and understanding…. There is an air of fable about the stories as Yakumaru sets up the situation, introduces us to the players and then to the crime, before Natsume’s ‘cop’s eyes’ observe the situation. He is sometimes cast almost in a minor role, but his are the eyes, the ones that can see the whole picture, and set the crime in its context. He is the one who can, finally, reveal the killer.”
—The Strand Magazine