The first ever US publication of Gina Apostol's Philippine National Book Award-winning novel.
Gina Apostol is the PEN Open Book Award-winning author of Gun Dealers' Daughter, as well as a two-time winner of the National Book Award in the Philippines for her novels Bibliolepsy and The Revolution According to Raymundo Mata. Her short stories have appeared in various anthologies and journals including The Gettysburg Review and the Penguin anthology of Asian American fiction, Charlie Chan Is Dead, Volume 2.
Praise for The Revolution According to Raymundo Mata
Winner of 2010 Philippine National Book Award
Winner of 2010 Gintong Aklat (Golden Book) Award
A BuzzFeed Most Anticipated Book of 2021
The Millions Most Anticipated Fiction of 2021
“Gina Apostol’s The Revolution According to Raymundo Mata
weaves the complex tangle of Philippine history, literature, and
languages (along with contemporary academic scholarship) into a
brilliant tour de force of a novel. Brava!”
—John Barth
“Virgil should offer libations to the gods in thanksgiving that
Gina Apostol writes about the Philippines’ founding stories instead
of Rome’s. Her latest novel to appear in the United States, The
Revolution According to Raymundo Mata, wreaks playful and learned
havoc on the life and work of the 19th-century writer Jose Rizal .
. . [Apostol] writes historical fiction like Hilary Mantel on
acid.”
—Randy Boyagoda, The New York Times Book Review
“Make no mistake, The Revolution According to Raymundo Mata by Gina
Apostol is a classic, a novel that is brilliantly conceived and
flawlessly executed. “
—Peter Bacho, International Examiner
“[A] genre-bending historical novel that blurs the line between
fact and fiction, presented as the memoir of Raymundo Mata, a
19th-century revolutionary who crosses paths with famed Filipino
writer and national hero José Rizal, complete with feuding
annotations from a nationalist editor, a psychoanalyst, and a
translator.”
—BuzzFeed
“A masterful work of historical fiction set in the country on the
cusp of a revolt that would end nearly four centuries of Spanish
colonial rule.”
—The Nation
“Gina Apostol tells our revolutionary history—or fragments of our
history—using a pastiche of writing from the academe, a diary,
stories within stories, jokes, puns, allusions, a virtual
firecracker of words. Her novel is fearlessly intellectual,
anchored firmly on the theories of Jacques Lacan. But it is also
funny and witty as it picks—lice, nits, and all—on the hoaxes in
our history. It affirms, if it still needs to be affirmed, the
power of fiction to shape and reshape the gaps in the narratives of
our history as a nation. The main character here is History, and
its protagonist, Imagination. For this audacious sword-play of a
novel, the National Book Award is given to Gina Apostol’s The
Revolution According to Raymundo Mata.”
—Judges' Citation, Philippine National Book Award
“Apostol’s novel requires us to sit up, lean in, and study. It
demands our active participation. In the end, The Revolution
According to Raymundo Mata is intended for a Filipino audience
first—with inside jokes, play on words, and regional references—and
American audiences second. And that’s a definitive reason to pick
it up. Apostol holds a mirror to American exceptionalism and forces
us to look.”
—Ploughshares
“Filipina-American novelist Gina Apostol explores the father of
Filipino literature and the movement for independence which he
embodied in her darkly comic new novel . . . With shades of Roberto
Bolaño and Vladimir Nabokov, she writes that her novel was ‘planned
as a puzzle: traps for the reader, dead end jokes, textual games,
unexplained sleights of the tongue.’”
—The Millions
“Inventive . . . Excavating the history of the oppressive Spanish
colonial era in a meta narrative laden with diary entries, wordplay
and puzzles — complete with footnotes from an imaginary
editor.”
—Everything Zoomer
“The Revolution According to Raymundo Mata is certainly a wild
ride, playful without let-up but often to serious purpose.”
—The Complete Review
“Beyond the questions of national identity the novel raises, Mata
is simply funny — richly satirical of psychology and history, and
of the PoMo gestures that it embraces.”
—On the Seawall
“Highly entertaining . . . The narrative is studded with hilarious
argumentative footnotes between an editor, a translator, and a
scholar of Mata’s work, producing dueling Nabokovian narratives . .
. Apostol’s unique perspective on facts versus fiction would make
for a perfect Charlie Kaufman movie.”
—Publishers Weekly, Starred Review
“Edward Said wrote that the role of the intellectual is to present
alternative narratives on history than those provided by the
‘combatants’ who claim entitlement to official memory and national
identity—who propagate ‘heroic anthems sung in order to sweep all
before them.’ In this fearlessly intellectual novel, Gina
Apostol takes on the keepers of official memory and creates a new,
atonal anthem that defies single ownership and, in fact, can only
be performed by the many—by multiple voices in multiple
readings. We may never look at ourselves and our history the
same way again.”
—Eric Gamalinda, author of My Sad Republic
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