Table of Contents

Foreword; The Tale of the End; PART 1: ID(ENTITY): Communique One; Communique Two; Review of Ccru's Digital Hyperstition; Who's Pulling Your Strings?; PART 2: THE CTHULHU CLUB: Lemurian Time War; The Templeton Episode; Miskatonic Virtual University; Origins of the Cthulhu Club; The Vault of Murmurs; Tchattuk; PART 3: AOE/AXSYS: AOE; Inside the Architectonic Order of the Eschaton; Spheres and Degrees of the AOE; Decadence; The Excruciation of Hummpa-Taddum; Flatlines; Axsys-Crash; Martin Bergmann; PART 4: BLACK ATLANTIS: Hyper-C; From Subversion to Submersion; Channel Zero; Zelda Maria de Monterre (Madame Centauri); Maximilian Crabbe; The Tale of the Frog-People; PART 5: BARKER: Cryptolith; Tick Delirium; Barker Speaks; Kuttadid; The Tale of Cockroach; PART 6: SARKON: Oskar Sarkon; Split-Second Timing; Between and Beneath the Net; Shades of Between; Skin-Crawlers; Wendigo's; A Tzikvik Tale; PART 7: CYBERGOTHIC: Y2K Letter; Y2Panik; What Didn't Happen at the Millenium; Cybergothic Hyperstition; The A-Death Phenomenon; Unscreened Matrix; The Unlife of the Earth; The Tale of Centipede; PART 8: PANDEMONIUM: Pandemonium; The Nomo Chant;The Zones; Pandemonium Matrix; Pandemonium Commentary; Numogrammatic Time-Mapping; Qabbala Unshelled; Lurgo; Katak; The Book of Paths; Tales of Mu; Appendix 1: Ccru Glossary; Appendix 2: TV Demonism; Index

About the Author

Cybernetic Culture Research Unit was a name on a door in the Philosophy Department of Warwick University, UK, during the late 1990s. It was a rogue unit, blurring the borders between traditional scholarship, cyberpunk sci-fi, and music journalism. Its frenzied interdisciplinary activity, including the Virtual Futures and Virotechnology conferences and the journal Abstract Culture, disturbed Warwick's Philosophy Department, resulting in the termination of the unit.