Caroline A. Jones is Professor of Art History in the History,
Theory, Criticism section of the Department of Architecture at MIT.
She is the editor of Sensorium- Embodied Experience, Technology,
and Contemporary Art (MIT Press).
Caroline A. Jones is Professor of Art History in the History,
Theory, Criticism section of the Department of Architecture at MIT.
She is the editor of Sensorium- Embodied Experience, Technology,
and Contemporary Art (MIT Press).
Caroline A. Jones is Professor of Art History in the History,
Theory, Criticism section of the Department of Architecture at MIT.
She is the editor of Sensorium- Embodied Experience, Technology,
and Contemporary Art (MIT Press).
Bill Arning is Curator at the List Visual Arts Center at MIT.
Bill Arning is Curator at the List Visual Arts Center at MIT.
Bill Arning is Curator at the List Visual Arts Center at MIT.
Bruno Latour, a philosopher and anthropologist, is the author of We
Have Never Been Modern, An Inquiry into Modes of Existence, Facing
Gaia, Down to Earth, and many other books. He coedited (with Peter
Weibel) the previous ZKM volumes Making Things Public, ICONOCLASH,
and Reset Modernity! (all published by the MIT Press).
Caroline A. Jones is Professor of Art History in the History,
Theory, Criticism section of the Department of Architecture at MIT.
She is the editor of Sensorium- Embodied Experience, Technology,
and Contemporary Art (MIT Press).
Stephen Wilson was Professor of Conceptual and Information Arts at
San Francisco State University.
Amelia Jones is Grierson Chair in Art History and Communication
Studies at McGill University. Her books include Irrational
Modernism- A Neurasthenic History of New York Dada (MIT Press),
Self/Image- Technology, Representation and the Contemporary
Subject, and Seeing Differently- A History and Theory of
Identification and the Visual Arts.
Caroline A. Jones is Professor of Art History in the History,
Theory, Criticism section of the Department of Architecture at MIT.
She is the editor of Sensorium- Embodied Experience, Technology,
and Contemporary Art (MIT Press).
Peter Lunenfeld is Professor of Design Media Arts at UCLA.
Barbara Stafford is the William B. Ogden Distinguished Service
Professor of Art History at the University of Chicago. She is the
author of Good Looking, Artful Science, Body Criticism, and Voyage
into Substance (all published by MIT Press).
Yvonne Rainer (b. 1934) is a dancer, choreographer, and filmmaker.
She is the author of Feelings Are Facts- A Life (MIT Press).
Stephen M. Kosslyn is Founding Dean and Chief Academic Officer of
the Minerva Schools at KGI (the Keck Graduate Institute) and John
Lindsley Professor of Psychology in Memory of William James,
Emeritus, at Harvard University. He is the coauthor of Cognitive
Psychology- Mind And Brain and the author of Image and Brain- The
Resolution of the Imagery Debate (MIT Press).
Peter Galison is Pellegrino University Professor of the History of
Science and of Physics at Harvard University. He is the author of
Einstein's Clocks, Poincare's Maps- Empires of Time, How
Experiments End, and Image and Logic- A Material Culture of
Microphysics, among other books, and coeditor (with Emily Thompson)
of The Architecture of Science (MIT Press, 1999).
William J. Mitchell was the Alexander W. Dreyfoos, Jr., Professor
of Architecture and Media Arts and Sciences and directed the Smart
Cities research group at MIT's Media Lab.
Barbara Stafford is the William B. Ogden Distinguished Service
Professor of Art History at the University of Chicago. She is the
author of Good Looking, Artful Science, Body Criticism, and Voyage
into Substance (all published by MIT Press
On the exhibition: 'Put aside everything you think you know about art for the sake of experiencing the sensual extravaganza of 'Sensorium,' the ambitious, technically astute, and at times mesmerizing List Center exhibit that addresses the intersection of technology and physical sensation.'—Boston Phoenix
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