Georges Didi-Huberman, a philosopher and art historian based in
Paris, teaches at the cole des Hautes tudes en Sciences Sociales.
Recipient of the 2015 Adorno Prize, he is the author of more than
fifty books on the history and theory of images, including
Invention of Hysteria- Charcot and the Photographic Iconography of
the Salpatri re (MIT Press), Bark (MIT Press), Images in Spite of
All- Four Photographs from Auschwitz, and The Surviving Image-
Phantoms of Time and Time of Phantoms- Aby Warburg's History of
Art.
Samuel E. Martin teaches French at the University of Pennsylvania
Bark is a slim, poignant, controlled narrative, yet is presented as
an irrepressible and unpremeditated stream of writing.—Guylaine
Massoutre, Le Devoir
Bark is the exploration of a gaze, and the exploration, through
looking, of what is looked at. What is looked at are photographs,
as well as a place: Auschwitz-Birkenau.—Jean-Philippe Cazier,
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