Samuel Bianchini, an artist and researcher, is Associate Professor
at the cole Nationale Superieure des Arts Decoratifs (EnsAD), PSL
Research University Paris where he is the head of the
"ReflectiveInteraction" Research Group of EnsadLab, the school's
laboratory.
Erik Verhagen, an independent curator and an art critic, is
Associate Professor of Contemporary Art History at Universite de
Valenciennes.
Margit Rosen is a Researcher and Curator for ZKM | Center for Art
and Media Technology.
Simon Penny is Professor of Art at the Claire Trevor School of the
Arts at the University of California, Irvine, teaching mechatronic
art, media art history and theory, and interdisciplinary seminars
interfacing contemporary cognitive science and philosophy of mind
with the arts. Trained as a sculptor, he has spent much of his
career building interactive art environments with custom robotic
and sensor-based systems.
Anna Dezeuze, is the editor of The 'Do-it-yourself' Artwork-
Participation from Fluxus to New Media and co-editor, with Julia
Kelly, of Found Sculpture and Photography from Surrealism to
Contemporary Art. Her writing has appeared in Oxford Art Journal,
Women & Performance, Performance Research, Mute, and Art Monthly.
She is a Lecturer in Art History at the Ecole Superieure d'Art et
de Design Marseille Mediterranee.
Diedrich Diederichsen is Professor of Theory, Practice, and
Communication of Contemporary Art at the Academy of Fine Art in
Vienna.
Peter Lunenfeld is Professor of Design Media Arts at UCLA.
Sarah Cook is a curator and researcher working at the intersection
of art, digital and electronic media, and science. She is the
coauthor (with Beryl Graham) of Rethinking Curating- Art After New
Media (MIT Press), and in 2004 cocurated the touring exhibition,
"Database Imaginary." She is Dundee Fellow at Duncan of Jordanstone
College of Art and Design, University of Dundee.
Anna Dezeuze, is the editor of The 'Do-it-yourself' Artwork-
Participation from Fluxus to New Media and co-editor, with Julia
Kelly, of Found Sculpture and Photography from Surrealism to
Contemporary Art. Her writing has appeared in Oxford Art Journal,
Women & Performance, Performance Research, Mute, and Art Monthly.
She is a Lecturer in Art History at the Ecole Superieure d'Art et
de Design Marseille Mediterranee.
Catherine Wood is Curator of contemporary art/performance at Tate
Modern and is currently curating, with Jessica Morgan, the upcoming
exhibition, "The World as a Stage." Recently, she programmed
"Theatre Pieces," a series of live works for the Tate Triennial
2006. She has regularly published articles in Afterall, Frieze, Art
Monthly, and Untitled and has contributed numerous essays to
exhibition catalogs.
Janet Kraynak is a New York-based art historian.
Erik Verhagen, an independent curator and an art critic, is
Associate Professor of Contemporary Art History at Universite de
Valenciennes.
Peter Weibel is Chairman and CEO of the ZKM | Center for Art and
Media Karlsruhe. With Bruno Latour, he coedited ICONOCLASH and
Making Things Public as well as other ZKM volumes, including, most
recently, Sound Art and Global Activism (all published by the MIT
Press).
Thomas Hirschhorn (b. 1957) is a Swiss artist known for large
sculptures and ambitious projects, often constructed of everyday,
makeshift materials.
Bruno Latour, a philosopher and anthropologist, is the author of We
Have Never Been Modern, An Inquiry into Modes of Existence, Facing
Gaia, Down to Earth, and many other books. He coedited (with Peter
Weibel) the previous ZKM volumes Making Things Public, ICONOCLASH,
and Reset Modernity! (all published by the MIT Press).
Samuel Bianchini, an artist and researcher, is Associate Professor
at the cole Nationale Superieure des Arts Decoratifs (EnsAD), PSL
Research University Paris where he is the head of the
"ReflectiveInteraction" Research Group of EnsadLab, the school's
laboratory.
Nicolas Bourriaud was the co-director of the Palais de Tokyo in
Paris and an art advisor for the Victor Pinchuk foundation in Kiev.
His previous books include L' re tertiaire, Esthetique
relationnelle, and Formes de vie.
Claire Bishop is the author of Installation Art- A Critical History
and a contributor to many art journals, including ArtForum, Flash
Art, and October. She is a Lecturer in History of Art at the
University of Warwick.
Ask a Question About this Product More... |