A nailbiting airline thriller from the internationally bestselling author of Jurassic Park.
Born in 1942 in Chicago, Michael Crichton trained as a doctor and went on to become one of the most successful writers in the world. In 1994 he achieved a feat unmatched by any other writer- that of having simultaneously a number one TV series, book and movie- with, respectively, ER (which he created), Disclosure and Steven Spielberg's Jurassic Park, on its release the highest-grossing film of all time. He also directed several movies, including The Great Railway Robbery with Sean Connery and Donald Sutherland. His high-concept thrillers were international bestsellers, and in total his books have sold more than 200 million copies worldwide. He died in 2008.
His best since Jurassic Park
*New Yorker*
A deftly-woven tale of corporate skulduggery, media deceit and
sleuthing
*Daily Express*
A first rate thriller
*Sunday Times*
A compulsive page-turner ... Crichton dazzles the reader
*Financial Times*
Like his role model, H.G. Wells, Crichton likes to moralize in his novels. In this slight, enjoyable thriller, the moral is the superficiality of TV, especially of its simplistic news coverage. Readers willing to overlook the irony of this message being broadcast by the man who created TV's top-rated drama (E.R.) will marvel again at Crichton's uncanny commercial instincts. The event that launches the story, conceived long before TWA Flight 800's last takeoff, is an airline disaster. Why did a passenger plane "porpoise"-pitch and dive repeatedly-enroute from Hong Kong to Denver, killing four and injuring 56? That's what Casey Singleton, v-p for quality assurance for Norton Aircraft, has to find out fast. If Norton's design is to blame, its imminent deal with China may collapse, and the huge company along with it. With Casey as his unsubtle focus-she's one of the few Crichton heroines, an all-American gal who's more plot device than character-Crichton works readers through a brisk course in airline mechanics and safety. The accretion of technical detail, though fascinating, makes for initially slow reading that speeds up only fitfully when Casey is menaced by what seem to be union men angry over the Chinese deal. But as she uncovers numerous anomalies about the accident, and as high corporate intrigue and a ratings-hungry TV news team enter the picture, the plot complicates and suspense rises, peaking high above the earth in an exciting re-creation of the flight. It's possible that Crichton has invented a new subgenre here-the industrial thriller-despite elements (video-generated clues, for one) recycled from his earlier work. It's certain that, while this is no Jurassic Park, he's concocted another slick, bestselling, cinema-ready entertainment. 2,000,000 first printing; Literary Guild main selection; film rights sold to Disney for a reported $8-$10 million; simultaneous large-print edition and Random House audio and CD editions. (Dec.)
YA‘Crichton's newest novel is billed as a "technical thriller" but the technology seems to outweigh the thrills. Casey Singleton is called upon to lead the investigation of the near air disaster of Flight 545. The pilot landed the plane safely but three passengers were killed. All of the evidence is conflicting‘the pilot attributed the incident to turbulence but there was none. The flight attendant says the pilot fought the autocontrol but he didn't. What really happened to this flight? As Casey tries to piece the puzzle together, a national TV network plans an exposé of the accident. The program is not focused on the truth but rather on discrediting the airline. Casey's race against time is further complicated when attempts are made on her life. Airframe is full of technical jargon and explanations of how airplanes fly and why they sometimes don't. Crichton incorporates enough suspense to keep readers going but a degree in engineering would be helpful in understanding this novel.‘Katherine Fitch, Lake Braddock Middle School, Burke, VA
His best since Jurassic Park * New Yorker *
A deftly-woven tale of corporate skulduggery, media deceit and
sleuthing * Daily Express *
A first rate thriller * Sunday Times *
A compulsive page-turner ... Crichton dazzles the reader *
Financial Times *
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