Promotional Information

'Subtle, funny and furious' - Observer

About the Author

In 1997 Philip Roth won the Pulitzer Prize for American Pastoral. In 1998 he received the National Medal of Arts at the White House, and in 2002 the highest award of the American Academy of Arts and Letters, the Gold Medal in Fiction, previously awarded to John Dos Passos, William Faulkner and Saul Bellow, among others. He has twice won the National Book Award and the National Book Critics Circle Award. He has won the PEN/Faulkner Award three times. In 2005 The Plot Against America received the Society of American Historians' Prize for 'the outstanding historical novel on an American theme for 2003-2004'. Recently Roth received PEN's two most prestigious prizes: in 2006 the PEN/Nabokov Award 'for a body of work ... of enduring originality and consummate craftsmanship' and in 2007 the PEN/Saul Bellow Award for Achievement in American Fiction, given to a writer whose 'scale of achievement over a sustained career ... places him or her in the highest rank of American literature'. In 2011 Roth won the International Man Booker Prize. Roth is the only living American writer to have his work published in a comprehensive, definitive edition by the Library of America.

Reviews

Subtle, funny and furious
*Observer*

An astoundingly accomplished piece of work
*Guardian*

Nothing short of stunning
*London Review of Books*

A very buoyant book, part truth, part fiction, combining sophistication with an equally beguiling vulgarity...it does leave one relishing it and wanting to read more
*Spectator*

In yet another audacious spin on the doppelganger theme, Roth's dazzling, maddening and brilliant new novel offers two characters that bear his name: one a famous author called Philip Roth, the other an impostor who brazenly impersonates the ``real'' Philip Roth. Convinced that Israel will be destroyed by the Arab nations, the pretender has assumed Roth's identity in order to publicize his scheme to establish a new diaspora that will lead Jews out of Israel and back to their pre-Holocaust cultural roots in Europe. Roth's familiar tactic of fictionalizing the truth, such as it is, has the reader continually on edge, wondering what here is based on fact and what is ``the sacrosanct prank of artistic transubstantiation.'' The novel is set in Jerusalem during the trial of John Demjanjuk (who claimed he was not Ivan the Terrible, but merely a man who resembled the sadistic concentration-camp guard). Roth also refers to the trial of Shakespeare's Shylock, whose name the narrator gives to what he concludes is an Israeli intelligence operation that has manipulated the series of bizarre experiences in which he finds himself. Other actual figures represented in the story include Aharon Appelfeld (whose interview with the author is reprinted from the original in the New York Times Book Review ), Jonathan Pollard (accused of spying for Israel) and Leon Klinghoffer (the victim of the Achille Lauro highjacking). Among the fictional characters, there's a nurse called Wanda Jane ``Jinx'' Possesski, whose two-sided personality matches her name; and handicapped Mr. Smilesburger, who is definitely not what he seems. The plot is like a house of mirrors; the narrator and his fraudulent twin impersonate each other with dizzying speed, which allows Roth to present the reverse side of every argument his characters make. He deliberately courts shock value: the events he depicts are both comical and horrible, often simultaneously; his characters' views are extremist and even bizarre. But Roth is dead serious. He leads readers through the absurdist plot with an impassioned argument about the eternal issue of the Jew in a largely Christian culture. Ingenious and provocative, this novel marks yet another achievement for a writer whose stock in trade is taking risks. (Apr.)

Subtle, funny and furious * Observer *
An astoundingly accomplished piece of work * Guardian *
Nothing short of stunning * London Review of Books *
A very buoyant book, part truth, part fiction, combining sophistication with an equally beguiling vulgarity...it does leave one relishing it and wanting to read more * Spectator *