Richard Halpern is Professor of English at Johns Hopkins University. He is the author of many books, including Shakespeare's Perfume: Sodomy and Sublimity in the Sonnets, Wilde, Freud and Lacan.
"Halpern brings to this familiar terrain a new depth of understanding and precision of focus. This volume is full of important new insights into the appropriation of Shakespeare by English and American critics from T.S. Eliot and James Joyce to Northrop Frye and Stephen Greenblatt."-Choice "Halpern provides an informative and wonderfully intelligent account of a range of important issues... There are invaluable discussions of twentieth-century theatrical productions of the plays along with important examples of Shakespeare's transformation in film and other mass media... Shakespeare among the Moderns sets an exemplary standard of interdisciplinary scholarship... Shakespeare among the Moderns provides an invaluable synthesis ... that helps move discussion beyond the false polarities of the recent culture wars."-Studies in English Literature 1500-1900 "The breadth of Halpern's research is impressive, and the intricacy of his arguments often dazzling. His insights into the individual plays are often perceptive and original... Halpern's book is learned, subtle, and often illuminating."-Northern Light "Closely argued, adventurous... There is a quite exceptional richness of texture in Shakespeare Among the Moderns. Evidence from widely separated fields of inquiry is marshaled with extraordinary dexterity, and the range of reading is impressive... This is a book of unusual range, depth, and originality."-The Review of English Studies "Shakespeare Among the Moderns is an ambitious and endlessly suggestive book, particularly notable for the breadth and depth of its intellectual range and for the conversancy of its author with texts, events, and discourses that extend well beyond the concerns of more garden-variety Shakespeareans... Shakespeare Among the Moderns if one of the best (and best written) books on Shakespeare published in a long time. It should be required reading for all Shakespeareans interested in charting their path to the new century through an enriched understanding of the one now ending."-Shakespeare Bulletin "Shakespeare Among the Moderns is a complex and impressive piece of work... This is a rich and original piece of work. It will be of interest not just to Shakespearean and Renaissance scholars, but to everyone concerned with the field of cultural history."-Andrew Murphy, Yearbook of English Studies. 2000. "I found this an eye-opening book-impressive, well written, informative, and critically resourceful. Its argument is at once precise and capacious, resulting in an illuminating and intellectually satisfying retrieval of the modernist Shakespeare. Although focused on Shakespeare, it makes an important general contribution to modern/postmodern construction."-Jonathan Crewe, Dartmouth College "An important contribution to the growing area of Shakespeare studies dealing with reception and the 'construction' of Shakespeare. Halpern is interested not only in how Eliot, Welles, Frye, and others read and produced Shakespeare, but in the logic of modernism itself and its reliance on anthropological models. He demonstrates in original and intricate ways how high modernism continues to work itself out in recent Shakespeare criticism."-Karen Newman, Brown University "Arguing that the moderns set the terms by which we continue to read Shakespeare today, Halpern provides brilliant accounts of how Eliot, Girard, Frye, and Cocteau used Shakespeare to negotiate the historical dilemmas of the era of monopoly capitalism and of the way we continue to follow their lead in our own criticism. Self-reflective, wide-ranging, and provocative, Shakespeare among the Moderns provides a new genealogy for contemporary critical movements such as the new historicism. A major book."-Jean Howard, Columbia University "In a shrewd contribution to twentieth-century cultural historiography, Halpern discovers the contemporary Shakespeare, our Shakespeare, as a product of High Modernism. The fundamental continuities of Shakespeareanism in this century are traced in pages of deft levity and sustained power. But this is a good deal more than a mere history of modern Shakespeare performance and criticism: Halpern's analysis mounts an assault on the idea of the postmodern, exposing how limited is its utility as a term for defining contemporary intellectual and aesthetic practices."-Joseph Loewenstein, Washington University "Shakespeare among the Moderns is an erudite, elegantly written and thoroughly enlightening inquiry into the place of Shakespeare in the development of modernist theory and practice. Richard Halpern's study moves easily between the Renaissance and modernity, demonstrating with equal persuasiveness the extent to which modernism has shaped our understanding of Shakespeare, and Shakespeare the practice of modernism. This book should be of very wide interest, as it offers much more than a contribution to the history of Shakespeare's reception. Surprising at every turn with the scope of its reference, Shakespeare among the Moderns is nothing less than a powerful historiographical essay on the meaning of modernity."-John Guillory, The Johns Hopkins University
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