Table of Contents

Macbeth - William Shakespeare - Edited by Sylvan Barnet Samuel Johnson: Macbeth
A. C. Bradley: From Shakespearean Tragedy
Elmer Edgar Stoll: Source and Motive in ?Macbeth? and ?Othello?
Cleanth Brooks: The Naked Babe and the Cloak of Manliness
Mary MacCarthy: General Macbeth
Joan Larsen Klein: Lady Macbeth: ?Infirm of Purpose?
Sylvan Barnet: ?Macbeth? on the Stage and Screen

NEWLY ADDED ESSAYS:
Alan Sinfield: ?Macbeth?: History, Ideology, and Intellectuals

About the Author

William Shakespeare was born in Stratford-upon-Avon in Warwickshire, and was baptised on 26 April 1564. His father was a glove maker and wool merchant and his mother, Mary Arden, was the daughter of a well-to-do local land owner. Shakespeare was probably educated in Stratford's grammar school. In 1582 he married Anne Hathaway, and the couple had a daughter the following year and twins in 1585.

Shakespeare's theatrical life seems to have commenced around 1590. We do know that he was part of the Lord Chamberlain's Company, which was renamed the King's Company in 1603 when James I succeeded to the throne. The Company acquired interests in two theatres in the Southwark area of London, near the banks of the Thames - the Globe and the Blackfriars.

Shakespeare's poetry was published before his plays, with two poems appearing in 1593 and 1594, dedicated to his patron Henry Wriothesley, Earl of Southampton. Most of Shakespeare's sonnets were probably written at this time as well.

Records of Shakespeare's plays begin to appear in 1594, and he produced roughly two a year until around 1611. His earliest plays include Henry VI and Titus Andronicus. A Midsummer Night's Dream, The Merchant of Venice and Richard II all date from the mid to late 1590s. Some of his most famous tragedies were written in the early 1600s; these include Hamlet, Othello, King Lear, Macbeth and Antony & Cleopatra. His late plays, often known as the Romances, date from 1608 onwards and include The Tempest.

Shakespeare died on 23 April 1616 and was buried in Holy Trinity Church in Stratford. The first collected edition of his works was published in 1623 and is known as 'the First Folio'.

Reviews

The Yale annotated editions of these dramatic polar opposites include loads of textual notes and scholarly introductions, plus essays by Harold Bloom, all for the price of lunch at Mickey Ds. Supersized Shakespeare on the cheap. Copyright 2005 Reed Business Information.

Shakespeare's tragedy about the ill-fated thane of Cawdor is brought to life via this one-man interpretation from Alan Cumming. Motivated by his scheming wife, Macbeth lusts for and then takes power, which leads to regicide and his own undoing. Building upon his performance in the audio edition of A.J. Hartley and David Hewson's Macbeth: A Novel, Cumming executes a captivating solo performance of this classic play. With an authentic Scottish accent, Cumming ably embodies Lord Macbeth. He shifts from character to character seamlessly, capturing the tone, attitude, and emphasis of each, while providing an increasing intensity that conveys the reprehensible, irreparable nature of the title character's actions. In addition to embracing the various characters, Cumming's powerful performance even elevates the play's stage directions, which-rather than feeling like crude interruptions to the dialogue-slip in smoothly like the knife used to slay King Duncan. (July) (c) Copyright PWxyz, LLC. All rights reserved.

Gr 5-8-These visually appealing, full-color adaptations introduce each title with a well-known quotation from the original work on an illustrated spread that captures the mood and setting of the piece. The stories are retold in panels with text containing an explanation of the characters' motives and a summary of the action taking place positioned beneath each panel. Brief snippets of quotations are enclosed within a few simple speech bubbles. Actual wording from the original works is very limited. Headings at the top of the spreads distill the plot essentials contained on those two pages. Macbeth uses extensive footnotes on each page to define and clarify Shakespearean language. Dramatic outdoor scenes are done in vivid colors, contrasting with night scenes rendered in gray tones. Unique features include historical information on the real King Macbeth and theatrical superstitions associated with what many actors consider an "unlucky play." A somber palette of grays and muted colors sets the mood for Frankenstein. Back matter includes a map of Europe marking the travels of Frankenstein and a chronology of medical and scientific discoveries between the years of 1747 and 1834. These titles might be useful to introduce classics to young readers in a formalized instructional setting.-Barbara M. Moon, Suffolk Cooperative Library System, Bellport, NY Copyright 2009 Reed Business Information.