Rich new works by the very best known creators of fantasy fiction, each set in the special universe of the imagination that made that writer famous throughout the world. Terry Pratchett: Discworld: THE SEA AND LITTLE FISHES: Fruit, vegetables and deadly rivalry between witches. Anne McCaffrey: Pern: RUNNER OF PERN: A young Runner on her first journey, dreaming of dragons and glory. George R.R. Martin: A Song of Ice and Fire: THE HEDGE KNIGHT: A self-made knight, his honour, his horse, his squire, his luck. Tad Williams: Memory, Sorrow and Thorn: THE BURNING MAN: Dragon's blood and ancient hatreds on the Road of Dreams. Robert Jordan: Wheel of Time: NEW SPRING: Storm and battle in the shadow of the Blight...as the wheel turns.

About the Author

Robert Silverberg was born in New York in 1935. He has been nominated for more awards for his fiction than any other science fiction writer, alive or dead. He and his wife now live in San Francisco.

Reviews

Microcosmic glimpses of broadly imagined worlds and their larger-than-life characters distinguish this hefty volume of heavyweight fantasy. Silverberg collects 11 previously unpublished short "novels" by genre celebrities, each a window on a sprawling saga that has shaped the way modern fantasy fiction is written and read. Stephen King weighs in with "The Little Sisters of Eluria," set early in the Dark Tower saga and deftly weaving threads of horror, quest fantasy and the western into a dangerous snare for his indefatigable gunslinger, Roland of Gilead. Ursula K. Le Guin contributes "Dragonfly," a tale about a young woman who would be a wizard that offers a savvy dissection of the sexual politics that govern Le Guin's Earthsea empire. Neo-Arthurian fantasy gets its due in George R.R. Martin's "The Hedge Knight," a prequel to the Song of Ice and Fire series. Only a sliver of fantasy insinuates Silverberg's own "The Seventh Shrine," a Majipoor murder mystery that becomes a fascinating exploration of clashing cultures. Although most of the selections are sober sidebars to serious literary fantasy cycles, Terry Pratchett's "The Sea and Little Fishes" is a giddy Discworld romp that pits cantankerous witch Granny Weatherwax against her crone cronies, and Orson Scott Card's "Grinning Man" is corn-fed tall talk in which Alvin Maker outwits a crooked miller in the alternate America of Hatrick River. Some entries, among them Raymond E. Feist's Riftwar tale "The Wood Boy" and Anne McCaffrey's "Runner of Pern," shine only as light glosses on their authors' earlier achievements. Still, there's enough color, vitality and bravura displays of mythmaking in this rich sampler, which also includes tales by Terry Goodkind, Tad Williams and Robert Jordan, to sate faithful fans and nurture new readers on the stuff of legends still being created. (Oct.)

'The biggest names in contemporary fantasy have written novellas set in their most popular worlds. Fortunately, the standard matches the notion; maybe the contributors were spurred on by group rivalry' Time Out 'An essential buy for every fantasy fan' SFX 'A dream team of fantastic fantasy' USA Today 'A stellar compilation' Booklist

These are Volumes 2 and 3 of the four planned unabridged audiobook programs that together comprise the new fantasy anthology Legends: Stories by the Masters of Modern Fantasy, edited by Silverberg (see Vol. 1, Audio Reviews, LJ 11/1/98). The anthology contains new and original works from famous writers of epic fantasy, with each set in an established fictional universe. Conveying this large anthology as four separate volumes, containing two to three stories each, is a double-edged sword: it allows the consumer to pick and choose only the programs that appeal but makes the entire work rather pricey. Volume 2 contains Robert Jordan's "The Wheel of Time: New Spring," Terry Pratchett's "Discworld: The Sea and Little Fishes," and Orson Scott Card's "Tales of Alvin Maker: The Grinning Man." Volume 3 adds Terry Goodkind's "The Sword of Truth: Debt of Bones," Ursula K. Le Guin's "Earthsea: Dragonfly," and Tad Williams's "Memory, Sorrow, and Thorn: The Burning Man." Frank Muller, Sam Tsoutsouvas, and Kathryn Walker are the skilled and imaginative readers here. Although the performances and production are impeccable, the stories vary somewhat, if not in quality then in the facility with which they engage a listener who is uninitiated to the corresponding epic cycle. The packaging provides one- to two-line descriptions, but other contextual material available in the printed book (e.g., the introduction by Silverberg, listings of all the books in the series to date) are absent. Still, both volumes are recommended for all fantasy fiction collections.ÄKristen L. Smith, Loras Coll. Lib., Dubuque, IA