About the Author

JO NESBØ is a musician, songwriter, economist, and #1 New York Times best-selling author. He has won the Raymond Chandler Award for Lifetime Achievement as well as many other awards. His books have sold 55 million copies worldwide and have been translated into 50 languages. His Harry Hole novels include The Redeemer, The Snowman, The Leopard, Phantom, The Thirst, and most recently Knife, and he is also the author of The Son, Headhunters, Macbeth, The Kingdom and several children's books. He lives in Oslo.

Reviews

NATIONAL BESTSELLER • A USA Today Critic’s Pick • Winner of The Riverton Prize for Best Norwegian Crime Novel of the Year • Winner of The Glass Key for Best Nordic Crime Novel of the Year

“This is an absolute must for devotees of the riveting train wreck that is Harry Hole.... While the chronological confusion is disconcerting, it adds a layer of dramatic irony to the tale and enhances its tension and power.”
      —Booklist (starred review)
 
“Harry is already every bit as volcanic as in his later cases. The big difference is Australia, which Nesbø, seeing it through the eyes of both a tourist and a cultural pathologist, makes you wonder how much different it is from Norway after all.”
     —Kirkus Reviews

"This debut effort shows Nesbø as an already confident genre craftsman, striking sparks from the familiar genre material of Harry’s fish-out-of-water experience in a foreign land and odd-couple pairing with a mismatched partner."
     —Publishers Weekly

“Even with this first book Nesbø’s command of the idiom is completely in place—there is absolutely no sense that the writer was finding his feet and aficionados will be very pleased to slide this on to their bookshelves alongside the other Harry Hole novels.”
    —The Daily Express
 
“It is fantastic to see a younger Harry, a more loquacious Harry.... [Nesbø is] a terrific writer who knows how to build a story, taking you slowly to the top of a rollercoaster before sending you hurtling towards a solution that you never see coming.”
    —Scottish Express
 
“Nesbø is already taking on the clichés, ruthlessly tearing them apart and coming up with new riffs.... Most satisfyingly, we can now see the organic shape that Nesbø always intended his work to take.”
    —The Independent (London)