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Album: Winnemucca
# Song Title   Time
1)    Winner's Casino
2)    Out of State
3)    Northline
4)    Santiam
5)    Twyla
6)    Patty's Retreat
7)    Glisan Street
8)    Somewhere Near
9)    5 Degrees Below Zero
10)    Western Skyline
Product Details
Performer Notes
  • Richmond Fontaine: Willy Vlautin (vocals, acoustic & electric guitars); Paul Brainard (electric guitar, pedal steel, dobro, mandolin); Dave Harding (electric & upright bass); Sean Oldham (drums).
  • Additional personnel: Rich Landar (piano).
  • Personnel: Willy Vlautin (vocals, acoustic guitar, electric guitar); Paul Brainard (electric guitar, dobro, mandolin); Rich Landar (piano); Sean Oldham (drums).
  • Audio Mixers: Luther Russell; Richmond Fontaine.
  • Recording information: Jackpot Studios; Type Foundry Studios.
  • Coming from the same domain as Ryan Adams, Gram Parsons, and the Flying Burrito Brothers, this Portland, OR, group's fourth album provides a great escape from suburbia, despite the rather abrupt ending to the opening pop twang of "Winner's Casino" and "5 Degrees Below Zero." Lead singer Willy Vlautin propels the album with a voice that sounds as if it's well wet from whiskey at times, particularly during "Out of State," which is equally a cross between Jeff Tweedy and Tom Petty's more reflective moments. By far the great track within is a heartfelt "Glisan Street," a rather somber and sober look at any small town and its problems. There's also a measure of guitar feedback and distortion in places, lending itself toward Wilco on "Northline," although the song drags near the conclusion. Accompanied by pedal steel guitar, the songs are relatively tight in their arrangements despite being quite lengthy in cases. The album takes a very odd turn during the middle, with two instrumentals, one veering into experimental territory. "Patty's Retreat" would fit well on Yankee Hotel Foxtrot. ~ Jason MacNeil
Professional Reviews
Uncut (p.66) - "[A] sombre, low-key masterpiece."

Uncut (p.134) - 4 stars out of 5 - "[By WINNEMUCCA] the literary strain had become more evident, largely due to its acoustic pace and the reemergence of Paul Brainard's pedal-steel from the murk."

Mojo (Publisher) (p.110) - 3 stars out of 5 - "[T]he band compensates magnificently with rippling mandolins in 'Out Of State,' and tumbleweedy steel guitar lines in 'Western Skyline' that make it all seem marvellously redeeming."
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