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When the World Knows Your Name [Deluxe Edition] [Box]
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Album: When the World Knows Your Name [Deluxe Edition] [Box]
# Song Title   Time
1)    Queen of the New Year
2)    Wages Day
3)    Real Gone Kid
4)    Love and Regret
5)    Circus Lights
6)    This Changing Light
7)    Sad Loved Girl
8)    Fergus Sings the Blues
9)    World Is Lit by Lightning, The
10)    Silhouette
11)    One Hundred Things
12)    Your Constant Heart
13)    Orphans
14)    Real Gone Kid [Extended 12" Version]
15)    Little Lincoln
16)    Born Again
17)    It's Not Funny Anymore
18)    Wages Day [Extended 12" Version]
19)    Take Me to the Place
20)    Take the Saints Away
1)    Trampoline
2)    Fergus Sings the Blues [Extended 12" Version]
3)    Long Window to Love
4)    London A-Z
5)    Back Here in Beanoland
6)    Love and Regret [Extended 12" Version]
7)    Down in the Flood
8)    Undeveloped Heart
9)    Love and Regret/It's All in the Game - (live)
10)    Spanish Moon/Down in the Flood - (live)
11)    Dark End of the Street - (live)
12)    When Will You (Make My Telephone Ring)? - (live)
13)    Down in the Flood [Minimal Mix] - (remix)
1)    Queen of the New Year [Extended 12" Version]
2)    My America
3)    Las Vegas
4)    Sad Loved Girl [Long Version]
5)    Circus Lights [Acoustic Version]
6)    Queen of the New Year - (live)
7)    Chocolate Girl - (live)
8)    Undeveloped Heart - (live)
9)    Town to Be Blamed - (live)
10)    Love You Say
11)    Let Your Hearts Be Troubled
12)    Is It Cold Beneath the Hill?
13)    Killing the Blues
14)    Gentle Teardrops
15)    That Country (Beneath Your Skin)
16)    Christine
1)    Real Gone Kid [Version 1]
2)    Real Gone Kid [Version 2]
3)    Wages Day
4)    Fergus Sings the Blues
5)    Love and Regret
6)    Queen of the New Year
 

Album: When the World Knows Your Name [Deluxe Edition] [Box]
# Song Title   Time
1)    Queen of the New Year
2)    Wages Day
3)    Real Gone Kid
4)    Love and Regret
5)    Circus Lights
6)    This Changing Light
7)    Sad Loved Girl
8)    Fergus Sings the Blues
9)    World Is Lit by Lightning, The
10)    Silhouette
11)    One Hundred Things
12)    Your Constant Heart
13)    Orphans
14)    Real Gone Kid [Extended 12" Version]
15)    Little Lincoln
16)    Born Again
17)    It's Not Funny Anymore
18)    Wages Day [Extended 12" Version]
19)    Take Me to the Place
20)    Take the Saints Away
1)    Trampoline
2)    Fergus Sings the Blues [Extended 12" Version]
3)    Long Window to Love
4)    London A-Z
5)    Back Here in Beanoland
6)    Love and Regret [Extended 12" Version]
7)    Down in the Flood
8)    Undeveloped Heart
9)    Love and Regret/It's All in the Game - (live)
10)    Spanish Moon/Down in the Flood - (live)
11)    Dark End of the Street - (live)
12)    When Will You (Make My Telephone Ring)? - (live)
13)    Down in the Flood [Minimal Mix] - (remix)
1)    Queen of the New Year [Extended 12" Version]
2)    My America
3)    Las Vegas
4)    Sad Loved Girl [Long Version]
5)    Circus Lights [Acoustic Version]
6)    Queen of the New Year - (live)
7)    Chocolate Girl - (live)
8)    Undeveloped Heart - (live)
9)    Town to Be Blamed - (live)
10)    Love You Say
11)    Let Your Hearts Be Troubled
12)    Is It Cold Beneath the Hill?
13)    Killing the Blues
14)    Gentle Teardrops
15)    That Country (Beneath Your Skin)
16)    Christine
1)    Real Gone Kid [Version 1]
2)    Real Gone Kid [Version 2]
3)    Wages Day
4)    Fergus Sings the Blues
5)    Love and Regret
6)    Queen of the New Year
 
Product Description
Product Details
Performer Notes
  • Additional producers: D. Khan, Warne Livesey, Deacon Blue.
  • Personnel: Ricky Ross, Lorraine McIntosh (vocals); Graeme Kelling (guitar); James Prime (keyboards); Ewen Vernal (keyboard bass); Douglas Vipond (drums, percussion).
  • Audio Mixer: Bob Clearmountain.
  • Liner Note Author: Ricky Ross.
  • Recording information: Cava Sound Workshops (01/1988); CaVa, Glasgow (01/1988); Hammersmith Odeon (01/1988); Jacobs, Surrey (01/1988); Livingston, London (01/1988); Mayfair, London (01/1988); Outside, Berkshire (01/1988); Palladium, Edinburgh (01/1988); SECC, Glasgow (01/1988); Sunset Sound, Los Angeles, CA (01/1988); The Brighton Dome (01/1988); The Marquee, London (01/1988); The Point, Dublin (01/1988); The Venue, Dee Why, Sydney (01/1988); Cava Sound Workshops (01/1988-04/1990); CaVa, Glasgow (01/1988-04/1990); Hammersmith Odeon (01/1988-04/1990); Jacobs, Surrey (01/1988-04/1990); Livingston, London (01/1988-04/1990); Mayfair, London (01/1988-04/1990); Outside, Berkshire (01/1988-04/1990); Palladium, Edinburgh (01/1988-04/1990); SECC, Glasgow (01/1988-04/1990); Sunset Sound, Los Angeles, CA (01/1988-04/1990); The Brighton Dome (01/1988-04/1990); The Marquee, London (01/1988-04/1990); The Point, Dublin (01/1988-04/1990); The Venue, Dee Why, Sydney (01/1988-04/1990); Cava Sound Workshops (05/22/1989); CaVa, Glasgow (05/22/1989); Hammersmith Odeon (05/22/1989); Jacobs, Surrey (05/22/1989); Livingston, London (05/22/1989); Mayfair, London (05/22/1989); Outside, Berkshire (05/22/1989); Palladium, Edinburgh (05/22/1989); SECC, Glasgow (05/22/1989); Sunset Sound, Los Angeles, CA (05/22/1989); The Brighton Dome (05/22/1989); The Marquee, London (05/22/1989); The Point, Dublin (05/22/1989); The Venue, Dee Why, Sydney (05/22/1989); Cava Sound Workshops (05/25/1989); CaVa, Glasgow (05/25/1989); Hammersmith Odeon (05/25/1989); Jacobs, Surrey (05/25/1989); Livingston, London (05/25/1989); Mayfair, London (05/25/1989); Outside, Berkshire (05/25/1989); Palladium, Edinburgh (05/25/1989); SECC, Glasgow (05/25/1989); Sunset Sound, Los Angeles, CA (05/25/1989); The Brighton Dome (05/25/1989); The Marquee, London (05/25/1989); The Point, Dublin (05/25/1989); The Venue, Dee Why, Sydney (05/25/1989); Cava Sound Workshops (07/18/1989); CaVa, Glasgow (07/18/1989); Hammersmith Odeon (07/18/1989); Jacobs, Surrey (07/18/1989); Livingston, London (07/18/1989); Mayfair, London (07/18/1989); Outside, Berkshire (07/18/1989); Palladium, Edinburgh (07/18/1989); SECC, Glasgow (07/18/1989); Sunset Sound, Los Angeles, CA (07/18/1989); The Brighton Dome (07/18/1989); The Marquee, London (07/18/1989); The Point, Dublin (07/18/1989); The Venue, Dee Why, Sydney (07/18/1989); Cava Sound Workshops (11/20/1986); CaVa, Glasgow (11/20/1986); Hammersmith Odeon (11/20/1986); Jacobs, Surrey (11/20/1986); Livingston, London (11/20/1986); Mayfair, London (11/20/1986); Outside, Berkshire (11/20/1986); Palladium, Edinburgh (11/20/1986); SECC, Glasgow (11/20/1986); Sunset Sound, Los Angeles, CA (11/20/1986); The Brighton Dome (11/20/1986); The Marquee, London (11/20/1986); The Point, Dublin (11/20/1986); The Venue, Dee Why, Sydney (11/20/1986); Cava Sound Workshops (12/03/1989); CaVa, Glasgow (12/03/1989); Hammersmith Odeon (12/03/1989); Jacobs, Surrey (12/03/1989); Livingston, London (12/03/1989); Mayfair, London (12/03/1989); Outside, Berkshire (12/03/1989); Palladium, Edinburgh (12/03/1989); SECC, Glasgow (12/03/1989); Sunset Sound, Los Angeles, CA (12/03/1989); The Brighton Dome (12/03/1989); The Marquee, London (12/03/1989); The Point, Dublin (12/03/1989); The Venue, Dee Why, Sydney (12/03/1989); Cava Sound Workshops (12/09/1989).
  • Photographers: Andrew Catlin; Ricky Ross.
  • Their name may come from a Steely Dan song, but, as far as their musical makeup goes, Deacon Blue owes a lot more to Simple Minds and Prefab Sprout than the Dan. On When the World Knows Your Name, the band blends AOR, Celtic flourishes, and dashes of blue-eyed soul to create a polished album that, while it won't make any "best-of" lists in a hurry, has more than a few pleasures to offer nevertheless. Deacon Blue isn't on the mark all the time. They have their failings, notably a tendency to get overly precious and self-indulgent when trying too hard to be impressionistic on the slower songs toward album's end. But when they get it right, like on "Queen of the New Year," "Wages Day," "Real Gone Kid," and "Fergus Sings the Blues," their driving melodies and hooks are fine compensation. Ricky Ross' songwriting is accomplished enough when he's not striving too hard for poetic effect: his word-picture evocations of light and shade are particularly impressive. The material is mostly strong, if not uniformly so; the playing is rather more consistently focused and energetic. If Deacon Blue gets the balance right, and plays to their strengths, they could be rather more than the minor-league U2 they come off as on this album. ~ Leslie Mathew
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