- Soundgarden: Chris Cornell (vocals, guitar); Ben Shepherd (guitar, bass, drums, percussion, background vocals); Kim Thayil (guitar); Matt Cameron (drums, percussion, Mellotron).
- Additional personnel: April Acevez (viola); Justine Foy (cello); Michael Beinhorn (piano); Natasha Shneider (Clavinet); Gregg Keplinger (drums, percussion); Artis The Spoonman (spoons).
- Recorded at Bad Animals Studio, Seattle, Washington.
- "Black Hole Sun" won the 1995 Grammy Award for Best Hard Rock Performance, and "Spoonman" won the Grammy for Best Metal Performance. "Black Hole Sun" was also nominated for Best Rock Song, and SUPERUNKNOWN was nominated for Best Rock Album.
- Personnel: Chris Cornell (vocals, guitar); Ben Shepherd (vocals); Kim Thayil (guitar); Matt Cameron (drums, percussion).
- Audio Mixer: Brendan O'Brien .
- Recording information: Avast Studio, Seattle, WA (02/1994); Bad Animals Studios, Seattle, WA (02/1994); Bear Creek Studios, Wooninville, WA (02/1994); Galleria Potato Head, Seattle, WA (02/1994); Ocean Way Recording, Hollywood, CA (02/1994); Space Studio (02/1994); Avast Studio, Seattle, WA (06/1993); Bad Animals Studios, Seattle, WA (06/1993); Bear Creek Studios, Wooninville, WA (06/1993); Galleria Potato Head, Seattle, WA (06/1993); Ocean Way Recording, Hollywood, CA (06/1993); Space Studio (06/1993); Avast Studio, Seattle, WA (08/02/1993); Bad Animals Studios, Seattle, WA (08/02/1993); Bear Creek Studios, Wooninville, WA (08/02/1993); Galleria Potato Head, Seattle, WA (08/02/1993); Ocean Way Recording, Hollywood, CA (08/02/1993); Space Studio (08/02/1993).
- Photographer: James K. Agee .
- As the first grunge band to be signed by a major label, Seattle's Soundgarden opened the pop floodgates, and a deluge of thrash-o-rama bands began swamping the airwaves. Following a series of trend-setting releases on the independent Sub Pop and SST labels, Soundgarden's initial A&M releases LOUDER THAN LOVE and BADMOTORFINGER signaled the return of the classic guitar band to popular consciousness.
- Using the time-honored Led Zeppelin/Aerosmith approach as a jump-off point--not to mention influential bands like Black Sabbath, MC5, The Stooges and Killing Joke--Soundgarden has formalized their own approach to raw power. Their stylized melodic hooks, however, along with their sometimes surreal lyrics, set them apart from the pack. Whether they get dazed and confused on the vamping "Limo Wreck," or cut loose with a wham- bam-thank-you-ma'am 4/4 cruncher like "Kickstand," Soundgarden can rock and roll with all the jet-propelled, no-nonsense crunch of all your favorite bands, from Zeppelin to the Ramones--and lead guitarist Kim Thayil's chops never outrace his melodic imagination.
- But Soundgarden is doing a lot more than simply recycling their best bits for another run up the charts. With SUPERUNKNOWN, they're stretching out and putting some distance between themselves and their imitators, incorporating different styles into their own mix, and creating a fresh modern sound. Certainly, there are not many bands who could rock convincingly in 5/4 time without sounding like slumming jazzbos, but Soundgarden's "My Wave" is a fist-shaking anthem that suggests the tone of the Stones' "Get Off My Cloud." The curious mixture of psychedelic blues elements, Near-Eastern tonalities and Indian ragas which make "Head Down," "Black Hole Sun" and "Half" so distinctive indicates that Soundgarden didn't simply cop their ideas from a Hollywood soundtrack. With his guttural Steve Tyler-like growl, frontman/songwriter Chris Cornell can turn a spoon player into a street shaman on "Spoonman," give in to despair on "Let Me Drown," or rail against authoritarian types on "Head Down." With slamming production by Michael Beinhorn, SUPERUNKNOWN is the hard rock event of 1994.
Rolling Stone - 4 stars out of 5 -- "The defining moment from an unclassifiable band remains brilliantly off-kilter as metal, crushingly moody as alternative and strangely reassuring as classic rock."
Rolling Stone (5/13/99, p.54) - Included in Rolling Stone's "Essential Recordings of the 90's."
Rolling Stone (3/10/94, p.63) - 4 Stars - Very Good - "...At its best, SUPERUNKNOWN offers a more harrowing depiction of alienation and despair than anything on IN UTERO....Although the band serves up a healthy amount of metallic bluster, Soundgarden refuse to define themselves in strict headbanger terms...."
Spin (9/99, p.154) - Ranked #70 in Spin Magazine's "90 Greatest Albums of the '90s."
Spin (12/94, p.78) - Ranked #17 in Spin's list of the `20 Best Albums Of '94' - "...turn[s] everyday teenage gloom into a prayer for divine wrath to wash the world away....When Kim Thayil locks into...visceral riffs...pure hormonal energy thunders to the rescue..."
Entertainment Weekly (Spring 2000, p.166) - Ranked #6 in EW's "Top 10 albums of the '90s"
Q (12/99, p.82) - Included in Q Magazine's "90 Best Albums Of The 1990s."
Melody Maker (3/5/94, p.40) - "...Like IN UTERO, SUPEREUNKNOWN has a depth and maturity which isn't easily assimilated on the first few listenings ....a brilliant, brilliant album...."
Village Voice (3/94, p.5) - Ranked #2 in the Village Voice's 1993 Pazz & Jop Critics Poll.
Village Voice (2/28/95) - Ranked #11 in the Village Voice's 1994 Pazz & Jop Critics Poll.
Q (Magazine) (p.122) - "Soundgarden dealt in unreconstructed heavy rock: a heavy guitar sound, depth-charge drumming....Yet SUPERUNKNOWN also includes more measured moments, such as the shimmering hit single 'Black Hole Sun.'"
New York Times (Publisher) (1/5/95, p.C15) - Included on Jon Pareles' list of the Top 10 Albums Of '94 - "Hard rock, all muscle and sinew, that churns and howls..."