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Somewhere in Time
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Album: Somewhere in Time
# Song Title   Time
1)    Caught Somewhere in Time
2)    Wasted Years
3)    Sea of Madness
4)    Heaven Can Wait
5)    Loneliness of the Long Distance Runner, The
6)    Stranger in a Strange Land
7)    D‚j… Vu
8)    Alexander the Great (356-323 B.C.)
 

Album: Somewhere in Time
# Song Title   Time
1)    Caught Somewhere in Time
2)    Wasted Years
3)    Sea of Madness
4)    Heaven Can Wait
5)    Loneliness of the Long Distance Runner, The
6)    Stranger in a Strange Land
7)    D‚j… Vu
8)    Alexander the Great (356-323 B.C.)
 
Product Description
Product Details
Performer Notes
  • This Limited version features vinyl replica packaging.
  • This is an Enhanced CD which contains regular audio tracks and multimedia computer files. The Enhanced portion includes music videos for "Stranger In A Strange Land" and "Wasted Years."
  • Iron Maiden: Bruce Dickinson (vocals); Dave Murray, Adrian Smith (guitar, synthesizer); Steve Harris (synthesizer, bass); Nicko McBrain (drums).
  • Principally recorded at Compass Point Studios, Nassau, The Bahamas and Wisseloord Studios, Hilversum, The Netherlands.
  • Digitally remastered by Simon Heyworth (Chop 'Em Out).
  • This is an Enhanced CD which contains regular audio tracks and multimedia computer files. The Enhanced portion includes music videos for "Stranger In A Strange Land" and "Wasted Years."
  • Iron Maiden: Bruce Dickinson (vocals); Dave Murray, Adrian Smith (guitar, synthesizer); Steve Harris (synthesizer, bass); Nicko McBrain (drums).
  • Principally recorded at Compass Point Studios, Nassau, The Bahamas and Wisseloord Studios, Hilversum, The Netherlands.
  • Digitally remastered by Simon Heyworth (Chop 'Em Out).
  • Iron Maiden's 1986 SOMEWHERE IN TIME contains more than a few highlights, such as the ferocious album opener, "Caught Somewhere in Time," as well as softer singles "Wasted Years" and "Stranger in a Strange Land." And as with the band's preceding studio release, POWERSLAVE, another masterful composition closes the album, in this case the sprawling "Alexander the Great." Departing from the familiar sounds of stellar earlier releases like THE NUMBER OF THE BEAST and PIECE OF MIND, this album explores new musical territory with the addition of synthesizers, while maintaining its trademarks--galloping bass, heavy guitar riffs, and operatic vocals. Though there were some doubts initially, the addition of synthesizers didn't alienate the band's headbanging following. In fact, the change, along with this album's commercial success, was a clear indication of the band's musical progress.
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