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Overloaded
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Rating
Album: Overloaded: The Singles Collection
# Song Title   Time
1)    Freak Like Me More Info... 3:16
2)    Round Round Album Version More Info... 3:57
3)    Red Dress More Info... 3:38
4)    In The Middle More Info... 3:59
5)    Stronger More Info... 4:01
6)    Shape Album Version More Info... 4:13
7)    Overload More Info... 4:36
8)    Good To Be Gone More Info... 3:26
9)    Caught In A Moment More Info... 4:25
10)    Ugly More Info... 3:51
11)    Easy More Info... 3:38
12)    Too Lost In You More Info... 4:00
13)    Run For Cover Single Version More Info... 3:48
14)    Hole In The Head More Info... 3:38
15)    Push The Button More Info... 3:38
 

Album: Overloaded: The Singles Collection
# Song Title   Time
1)    Freak Like Me More Info... 3:16
2)    Round Round Album Version More Info... 3:57
3)    Red Dress More Info... 3:38
4)    In The Middle More Info... 3:59
5)    Stronger More Info... 4:01
6)    Shape Album Version More Info... 4:13
7)    Overload More Info... 4:36
8)    Good To Be Gone More Info... 3:26
9)    Caught In A Moment More Info... 4:25
10)    Ugly More Info... 3:51
11)    Easy More Info... 3:38
12)    Too Lost In You More Info... 4:00
13)    Run For Cover Single Version More Info... 3:48
14)    Hole In The Head More Info... 3:38
15)    Push The Button More Info... 3:38
 
Product Description
Product Details
Performer Notes
  • Personnel: Jon Shave (vocals, keyboards); Keisha Buchanan, Heidi Range, Mutya Buena (vocals); Yoad Nevo (guitar, keyboards, programming); Nick Coler (guitar, bass guitar, programming); Tony Reyes (guitar, bass guitar); Chris Watson, Mark Sheridan, Shawn Lee (guitar); Julian Leaper, Perry Mason, Warren Zielinski, Liz Edwards, Mark Berrow, Katherine Shave, Simon Fischer, Douglas Mackie, Christopher Tombling, David Woodcock, Gabrielle Lester, Ralph de Souza, Philippe Honore, Rebecca Hirsch, Alison Kelly , Manon Derome, Sophie Barber, Martin Burgess, Darrell Kok, Dermot Crehan, Celia Sheen, Peter G. Hanson, Steve Morris , Simon Smith , Fenella Barton, Thomas Bowes , Marcia Crayford, David Juritz, Patrick Kiernan, Boguslav Kostecki, Everton Nelson, Gavyn Wright, Jackie Shave (violin); Donald McVay, Timothy Grant , Ivo Jan van der Werff, Zoe Lake, Rachel Bolt, Philip Dukes, Peter Lale, Bruce White (viola); Chris Elliott (cello, piano); Frank Schaefer, Melissa Phelps, Caroline Dearnley, Michael Stirling , Jonathan Williams , Nick Roberts, Naomi Wright, Nick Cooper , Tony Lewis , Caroline Dale, David Daniels (cello); The Kick Horns (horns); Rob Dougan (piano); Brian Higgins (keyboards, bass guitar, programming); Dallas Austin, Johnny Rockstar (keyboards, drums); Cameron McVey, Tim "Rolf" Larcombe, Tim Powell (keyboards, programming); Richard Philips , Paul Simm (keyboards); Rick Sheppard (midi); Patrick Lannigan, Stephen Mair , Dominic Seldis, Steve "Syco Steve" Williams, Lynda Houghton, Mary Scully (double bass); Simon Benson (bass guitar); Peter Lockett (percussion); Tom Elmhirst, Dean Barratt, Matt Duguid, Jeremy Wheatley (programming).
  • Audio Mixers: Tom Elmhirst; Goetz B.; Johnny Rockstar; Andy Bradfield; Tim Powell ; Jeremy Wheatley.
  • Recording information: D.A.R.P. Studios, Atlanta, GA; Mayfair, Strongroom; Metropolis; Realsongs Studio D., Hollywood, CA; Sony Studios.
  • During the seven-year span covered on Overloaded, Sugababes released four albums and 16 singles, while they lost -- and replaced -- two members. Twelve of those singles, in addition to a pair of new songs, make up the disc. It's an ideal introduction to the group since its four omissions (three of which made up their formative debut) were the four lowest-performing chart-wise, and it just so happens that they were also the least memorable of the bunch. Each of the 12 songs that form the basis of the disc placed in the U.K.'s Top Ten; four of them reached the very top, from the Richard X-produced "Freak Like Me" to the Dallas Austin-produced "Push the Button" -- two of the most clever and suggestive pop singles of the decade. "Good to Be Gone" and "Easy," the first two completely new songs recorded with Amelle Berrabah, indicate that the group hasn't lost any of its momentum. Unfortunately, despite their tremendous amount of appeal and popularity across Europe, they've never been given much of a chance in the States. A domestic issue of Three was planned and then scrapped, though "Hole in the Head" and "Round Round" did impact the dance charts. ~ Andy Kellman
Professional Reviews
Q (p.147) - 4 stars out of 5 -- "[W]hen they branched out and took chances, as on the mighty 'Freak Like Me', their sex-oozing zenith, they sounded like genuine innovators."
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