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Orquesta Nova
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Album: Orquesta Nova
# Song Title   Time
1)    Muerte del ?ngel, tango, La (from Angel series)
2)    Little Village
3)    Oblivion
4)    Drume Negrito
5)    Al Caer la Noche
6)    Serenata
7)    Por Toda A Minha Vida
8)    Amparo
9)    Danza Caprichosa
10)    Zingaro (retrato Em Branco E Preto)
11)    Wapango, for woodwind quintet
12)    Nocturne
13)    Ch?ros No. 1, for guitar, "Tipico brasileiro", A. 161
14)    Atorrante
 

Album: Orquesta Nova
# Song Title   Time
1)    Muerte del ?ngel, tango, La (from Angel series)
2)    Little Village
3)    Oblivion
4)    Drume Negrito
5)    Al Caer la Noche
6)    Serenata
7)    Por Toda A Minha Vida
8)    Amparo
9)    Danza Caprichosa
10)    Zingaro (retrato Em Branco E Preto)
11)    Wapango, for woodwind quintet
12)    Nocturne
13)    Ch?ros No. 1, for guitar, "Tipico brasileiro", A. 161
14)    Atorrante
 
Product Description
Product Details
Performer Notes
  • Personnel: Tiberio Nascimento (guitar); Louis Colin (harp); Guillermo Figueroa, Robert Chausow (violin); Juliet Haffner (viola); Erik Friedlander (cello); Gary Schocker (flute); Lawrence Feldman (clarinet, saxophone); Jeffrey Marchant (bassoon); John Clark (French horn).
  • Liner Note Author: Steve Sacks.
  • Recording information: General Theological Seminary (05/28/1991-05/30/1991).
  • Director: Carlos Franzetti.
  • Editor: Jeremy Kipnis.
  • Photographer: David King .
  • Arrangers: Joel Diamond ; Albert Haffner; Orquesta Nova; Paquito D'Rivera; Astor Piazzolla; Carlos Franzetti.
  • Orchesta Nova showed an amazing amount of potential on this entirely instrumental and difficult-to-categorize debut. European and Latin American classical music was a strong influence on Nova's founder/conductor Carlos Franzetti, but the orchestral, strings-laden effort also underscored his love of Argentinean tango music (particularly the innovations of bandoneon master Astor Piazzolla) and the type of intellectual third-stream jazz associated with Gunther Schuller. From Piazzolla's music (including "La Muerte Del Angel" and "Oblivion") to gems by Brazil's Antonio Carlos Jobim ("Retrato Em Branco E Preto," "Amparo" and "Por Toda A Minha Vida") and Brazilian classical great Heitor Villa Lobos' "Choro No. 1," this CD never fails to be imaginative. Retailers wondered whether it belonged in the classical or Latin sections, and the truth is that it belongs in both. ~ Alex Henderson
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