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Nancy Wilson & Cannonball Adderley
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Album: Nancy Wilson & Cannonball Adderley
# Song Title   Time
1)    Save Your Love for Me
2)    Never Will I Marry
3)    Old Country, The
4)    Happy Talk
5)    Masquerade Is Over, The
6)    Sleepin' Bee, A
7)    Little Unhappy Boy - (previously unreleased)
8)    Teaneck
9)    I Can't Get Started
10)    One Man's Dream
11)    Never Say Yes
12)    Unit 7
 
Album: Nancy Wilson & Cannonball Adderley
# Song Title   Time
1)    Save Your Love for Me
2)    Never Will I Marry
3)    Old Country, The
4)    Happy Talk
5)    Masquerade Is Over, The
6)    Sleepin' Bee, A
7)    Little Unhappy Boy - (previously unreleased)
8)    Teaneck
9)    I Can't Get Started
10)    One Man's Dream
11)    Never Say Yes
12)    Unit 7
 
Product Description
Product Details

Tracks

Performer Notes
  • Personnel includes: Nancy Wilson (vocals); Cannonball Adderley (alto saxophone); Nat Adderley (cornet); Joe Zawinul (piano); Sam Jones (bass); Louis Hayes (drums).
  • Recorded in New York on June 27 & 29, 1961 and August 23-24, 1961.
  • Reissue producer: Michael Cuscuna.
  • Personnel: Nancy Wilson (vocals); Cannonball Adderley (alto saxophone); Nat Adderley (cornet); Joe Zawinul (piano); Louis Hayes (drums).
  • Audio Remixer: Larry Walsh.
  • Recording information: New York, NY (06/27/1961-08/24/1961).
  • An excellent collaboration of Nancy Wilson's voice with Cannonball Adderley's alto sax from the early '60s. While this 1961 recording was the first time Wilson was with Adderley in the studio, it was not the first time they had worked together. After singing with Rusty Bryant's band, Wilson had worked with Adderley in Columbus, Ohio. (It was there that Adderley encouraged her to go to N.Y.C. to do some recording, eventually leading to this session.) Not entirely a vocal album, five of the 12 cuts are instrumentals. A highlight is the gentle cornet playing of Nat Adderley behind Wilson, especially on "Save Your Love for Me" and "The Old Country." Cannonball Adderley's swinging, boppish sax is heard to excellent effect throughout. Joe Zawinul's work behind Wilson on "The Masquerade Is Over" demonstrates that he is a talented, sensitive accompanist. On the instrumental side, "Teaneck" and "One Man's Dream" are especially good group blowing sessions. On the other end of the spectrum, Adderley's alto offers a lovely slow tempo treatment of the Vernon Duke-Ira Gershwin masterpiece "I Can't Get Started." To keep the listeners on their musical toes, the first couple of bars of "Save Your Love for Me" are quotes from "So What" from the Miles Davis Sextet's seminal Kind of Blue session. Given the play list and the outstanding artists performing it, why any serious jazz collection would be without this classic album is difficult to comprehend. ~ Dave Nathan
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