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Marc Ribot: Soundtracks II
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Album: Marc Ribot: Soundtracks II
# Song Title   Time
1)    Joe Schmo, film score: Small Consolation
2)    Killing Zone, film score: Prowler, The
3)    Joe Schmo, film score: House of Mirrors
4)    Killing Zone, film score: Urbanight, The
5)    Killing Zone, film score: Shockuhachi, The
6)    Joe Schmo, film score: Blue Party
7)    Killing Zone, film score: The Beast in the Jungle, The
8)    Joe Schmo, film score: Nausea
9)    Killing Zone, film score: Savannah, The
10)    Joe Schmo, film score: Miles to Go
11)    Killing Zone, film score: The Dream of the Other, The
12)    Joe Schmo, film score: Green Party
13)    Killing Zone, film score: Pensando, The
14)    Killing Zone, film score: Blurry in Brooklyn, The
15)    Killing Zone, film score: The Killing Zone, The
16)    Killing Zone, film score: Flatbush Eyes, The
17)    Joe Schmo, film score: Miles Behind
18)    Killing Zone, film score: Requiem for Eitan, The
19)    Joe Schmo, film score: Penitant Skyline
20)    Persistence of Memory, The (Remix for a film by Jennifer Reeves)
21)    Killing Zone, film score: Lost Children, The
22)    Joe Schmo, film score: Green Party (Radio Mix) - (Radio Mix)
 

Album: Marc Ribot: Soundtracks II
# Song Title   Time
1)    Joe Schmo, film score: Small Consolation
2)    Killing Zone, film score: Prowler, The
3)    Joe Schmo, film score: House of Mirrors
4)    Killing Zone, film score: Urbanight, The
5)    Killing Zone, film score: Shockuhachi, The
6)    Joe Schmo, film score: Blue Party
7)    Killing Zone, film score: The Beast in the Jungle, The
8)    Joe Schmo, film score: Nausea
9)    Killing Zone, film score: Savannah, The
10)    Joe Schmo, film score: Miles to Go
11)    Killing Zone, film score: The Dream of the Other, The
12)    Joe Schmo, film score: Green Party
13)    Killing Zone, film score: Pensando, The
14)    Killing Zone, film score: Blurry in Brooklyn, The
15)    Killing Zone, film score: The Killing Zone, The
16)    Killing Zone, film score: Flatbush Eyes, The
17)    Joe Schmo, film score: Miles Behind
18)    Killing Zone, film score: Requiem for Eitan, The
19)    Joe Schmo, film score: Penitant Skyline
20)    Persistence of Memory, The (Remix for a film by Jennifer Reeves)
21)    Killing Zone, film score: Lost Children, The
22)    Joe Schmo, film score: Green Party (Radio Mix) - (Radio Mix)
 
Product Description
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Performer Notes
  • Personnel includes: Marc Ribot (guitar); Jill Jaffee, Rob Thomas, Chris Wood, Ned Rothenberg, Anthony Coleman, Ted Reichman, Christine Bard, Roberto Rodriguez, Eddie Sperry.
  • Composer: Marc Ribot.
  • Personnel: Marc Ribot (guitar, electric guitar, trumpet, e flat horn); Marc Ribot (horns, loops, sampler, sequencer); Sebastian Steinberg (double bass, arco bass); J.D. Foster (double bass); Roberto Rodriguez , Roberto Juan Rodriguez (drums); E.J. Rodriguez (percussion); Franois Lardeau (drum programming); Mark Feldman (violin); Jill Jaffe (viola); Ned Rothenberg (flute, shakuhachi, saxophone); Alex Foster (clarinet, saxophone); Matt Darriau (clarinet); Jay Rodriguez (saxophone); Steven Bernstein , Frank London (trumpet); Anthony Coleman (piano, organ, sampler); Peter Scherer (piano, synthesizer, sampler).
  • Audio Mixers: Eddie Sperry; Franois Lardeau.
  • Recording information: Ribosound Studios, New York, NY; Sperry Sound, New York, NY; The Magic Shop, New York, NY.
  • The already eclectic Marc Ribot may have released his widest-reaching album to date with Soundtracks, Vol. 2. From neo-Dixieland to spooky electronica to solo shakuhachi, Ribot turns in a head-spinning program of disparate genres that hang together surprisingly well as an album. There's also a faux-African highlife piece ("Flatbush Eyes"), kind of surfy klezmer ("House of Mirrors"), and a couple soul tunes ("Blue Party" and the aptly titled "Green Party," which sounds like Ribot's take on the Hi Records sound). "Nausea" sounds something like a circus carnival playing "Take Me Out to the Ball Game," while "Pensando" is a pretty solo acoustic guitar piece. Ribot's guitar credentials have never been in doubt, but his recent works for Tzadik is showing him to be an impressive composer with a broad palette as well. ~ Sean Westergaard
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