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Love Songs [25th Anniversary Bonus Tracks] [Digipak]
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Album: Love Songs [25th Anniversary Bonus Tracks] [Digipak]
# Song Title   Time
1)    Wearing the Robes of Bible Black
2)    One Man's Woman/No Man's Land
3)    Mad Dog a Man
4)    Fingernail Moon, Barracuda and Me
5)    Mountain of Love
6)    Almost the Politician's Wife
7)    Doors, The
8)    Love Like a Train
9)    Is That All There Is?
10)    Clump
11)    Get Ready
12)    Murky Dew Red
13)    Major Glorious Ending Theme
14)    Hammer Toe
15)    Almost the Politician's Wife [Outtake] - (take)
 

Album: Love Songs [25th Anniversary Bonus Tracks] [Digipak]
# Song Title   Time
1)    Wearing the Robes of Bible Black
2)    One Man's Woman/No Man's Land
3)    Mad Dog a Man
4)    Fingernail Moon, Barracuda and Me
5)    Mountain of Love
6)    Almost the Politician's Wife
7)    Doors, The
8)    Love Like a Train
9)    Is That All There Is?
10)    Clump
11)    Get Ready
12)    Murky Dew Red
13)    Major Glorious Ending Theme
14)    Hammer Toe
15)    Almost the Politician's Wife [Outtake] - (take)
 
Product Description
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Performer Notes
  • Personnel: Howe Gelb (vocals, guitar, piano, organ); Chris Cacavas (vocals, acoustic guitar, accordion, piano, organ); John Convertino (drums).
  • Audio Mixer: Eric Westfall.
  • Audio Remasterer: Jim Blackwood.
  • Liner Note Author: Howe Gelb.
  • Recording information: Control Center, Hollywood (1988); Low-Tech, Mar Vista, CA (1988).
  • Photographers: Rex Anderson; Steve Holman.
  • Arranger: Giant Sand.
  • THE LOVE SONGS is Giant Sand's fourth album in barely three years, and it's the first on which Howe Gelb's gifts fully flower. A more stable lineup (anchored by bassist Paula Jean Brown--Gelb's wife at the time--and new drummer John Convertino) and a clearer musical focus help Gelb strip away the odd stylistic diversions of the earlier Giant Sand albums in favor of the country-tinged desert rock & roll that would be their mainstay from this point onwards. The temporary addition of Green on Red's Chris Cavacas on organ gives the album a feel akin to Bob Dylan's 1960s work with the Band updated for a post-punk audience: songs like "Wearing the Robes of Bible Black" and "Almost the Politician's Wife" are spooky, otherworldly, and elusive, even as they're rooted in elemental country, folk, and blues forms.
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