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Live In America
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Album: Live In America
# Song Title   Time
1)    Mi Nino Curro Live Instrumental More Info... 8:30
2)    La Barrosa Live Instrumental More Info... 4:55
3)    Alcazar De Sevilla Live More Info... 8:54
4)    Peroche Live Instrumental More Info... 6:28
5)    Tio Sabas Live Instrumental More Info... 6:35
6)    Soniquete Live Instrumental More Info... 6:49
7)    Zyryab Live Instrumental More Info... 12:53
8)    Buana Buana King Kong Live In Spain / 1993 More Info... 5:15
 

Album: Live In America
# Song Title   Time
1)    Mi Nino Curro Live Instrumental More Info... 8:30
2)    La Barrosa Live Instrumental More Info... 4:55
3)    Alcazar De Sevilla Live More Info... 8:54
4)    Peroche Live Instrumental More Info... 6:28
5)    Tio Sabas Live Instrumental More Info... 6:35
6)    Soniquete Live Instrumental More Info... 6:49
7)    Zyryab Live Instrumental More Info... 12:53
8)    Buana Buana King Kong Live In Spain / 1993 More Info... 5:15
 
Product Description
Product Details
Performer Notes
  • Personnel: Paco de Luc¡a (guitar); Pepe de Luc¡a (vocals); Ramon Algeciras (guitar); Carles Benavent (banjo, mandolin); Jorge Pardo (flute, alto saxophone); Manuel Soler, Rubem Dantas (percussion).
  • Audio Mixers: Jesus Bola; Luis Villena; Javier Vacas.
  • Recording information: Design FX Remote Recording, Culver City, CA; Record Plant Remote, Milford, NJ.
  • Photographer: Jean Luc Buro.
  • Recorded live in 1993 when Paco de Lucia was touring with his sextet, this is real artistry. De Lucia has never been afraid to push the boundaries of flamenco, and with his sextet he does just that. The music is moved by the spirit of the tradition, but never constrained by it. Like his show, the music builds, as he begins solo on "Mi Ni¤o Curro," then other members join him before it all culminates in a gloriously grinning "Buana Buana King Kong." There's plenty of well-known de Lucia material here, like "Zyryab" and "Tio Sabas," but on-stage there's more freedom to stretch out than in the studio. That he's been influenced by his work with other guitarists is apparent in his approach, which sometimes takes on the colors of a jazz-flamenco fusion. But there are still plenty of moments of duende, the transcendence that's all important in flamenco. And time and time again, de Lucia effortlessly proves he's the world's greatest living flamenco guitar player, with ideas, runs, and shifts that stagger the imagination. About the only fault to find with this album is that it's not long enough. ~ Chris Nickson
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