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The Hear and Now *
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Album: The Hear and Now *
# Song Title   Time
1)    Listen to This
2)    Gettin' Dirty
3)    Pensacolada
4)    Paradigm Shifted Again
5)    Not Suitable for Children
6)    Pangaea
7)    Sweet Surrender
8)    Under My Skin
9)    Hear and Now, The
10)    Lake Paranoid
11)    Inside Job
12)    Sleep Tight
 

Album: The Hear and Now *
# Song Title   Time
1)    Listen to This
2)    Gettin' Dirty
3)    Pensacolada
4)    Paradigm Shifted Again
5)    Not Suitable for Children
6)    Pangaea
7)    Sweet Surrender
8)    Under My Skin
9)    Hear and Now, The
10)    Lake Paranoid
11)    Inside Job
12)    Sleep Tight
 
Product Description
Product Details
Performer Notes
  • Personnel: William Woods (piano, keyboards); William Woods; Denny Jiosa (guitar); Alana Rocklin (acoustic bass); Chris Kent (electric bass); Glen Caruba (percussion); Jeffrey Scott Willis, Derico Watson.
  • Audio Mixers: Denny Jiosa; Michael Moryc.
  • Recording information: The Reel Thing, Nashville, TN.
  • Photographers: David Jr. Arruda; Michael Moryc.
  • The brilliant keyboardist/composer's "day job" as a radiation oncologist has created an intense dichotomy of positives and negatives for his musical career. On the happy side, William Woods earmarked half the proceeds of his previous CD, 2005's Every Part of Me, to the American to the American Cancer Society, and half the profits from The Hear and Now to Habitat for Humanity. The negatives for this Smoothie Award winner? Maybe less time to get out and promote his music -- which stacks up smartly against smooth jazz legends David Benoit, Bob James and Brian Culbertson -- and get out and jam. And jam he does on throbbing old-school funk-jazz numbers like "Not Suitable for Children" and the slightly more easygoing "Pangaea," which features some of the disc's jazziest piano runs. "Listen to This" launches the collection with an exquisite Fourplay-esque blend of spirited, high-register piano elegance and bounce. The next track, "Getting' Dirty," doesn't quite live up to its title, being as refined as it is, but it fits right in the pocket as a radio-friendly, silky-bluesy, mid-tempo soul ballad (enhanced by Jeffrey Scott Wills' passionate sax). At the time of this release, Woods' Myspace page listed Bob James and Herbie Hancock as his top "friends." It's easy to see why those legends are fans. On this superior, edgy yet beautiful effort, he's effortlessly carrying the torch that they lit. ~ Jonathan Widran
Professional Reviews
JazzTimes (p.131) - "With a Dash of David Benoit, Joe Sample and Bob James, Woods' strength is creating memorable contemporary jazz around piano playing that makes you sit up and take notice...'
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