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HERB ALPERT PRESENTS SERGIO MENDES &
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Album: HERB ALPERT PRESENTS SERGIO MENDES &
# Song Title   Time
1)    Mais Que Nada More Info... 2:41
2)    One Note Samba / Spanish Flea Album Version More Info... 1:49
3)    The Joker More Info... 2:42
4)    Going Out Of My Head More Info... 3:07
5)    Tim Dom Dom More Info... 1:57
6)    Day Tripper More Info... 3:07
7)    Agua De Beber Album Version More Info... 2:32
8)    Slow Hot Wind More Info... 2:34
9)    O Pato More Info... 2:01
10)    Berimbau More Info... 3:19
 

Album: HERB ALPERT PRESENTS SERGIO MENDES &
# Song Title   Time
1)    Mais Que Nada More Info... 2:41
2)    One Note Samba / Spanish Flea Album Version More Info... 1:49
3)    The Joker More Info... 2:42
4)    Going Out Of My Head More Info... 3:07
5)    Tim Dom Dom More Info... 1:57
6)    Day Tripper More Info... 3:07
7)    Agua De Beber Album Version More Info... 2:32
8)    Slow Hot Wind More Info... 2:34
9)    O Pato More Info... 2:01
10)    Berimbau More Info... 3:19
 
Product Description
Product Details
Performer Notes
  • SERGIO MENDES & BRASIL 66, the debut album from the famed Brazilian artist, features 10 tracks including "O Pato" and "Berimbau."
  • Sergio Mendes/Sergio Mendes & Brasil '66: Sergio Mendes; Jose-Paulo Soares, Janis Hansen, Lani Hall, Bob Matthews, Joao Palma.
  • Personnel: Sergio Mendes (vocals, keyboards); Jose Soares (vocals, percussion); Janis Hansen, Lani Hall, Bob Matthews (vocals); Joao Palma (drums).
  • Liner Note Author: Herb Alpert.
  • Recording information: Sunset Sound Recorders, Hollywood, CA (1966).
  • Arranger: Sergio Mendes.
  • This self-titled 10-track set, the debut album by Sergio Mendes and his Brasil '66 ensemble, establishes the template for the group's popular sound, with its mix of lush late-1960s pop and bossa nova. Although the band wouldn't achieve massive success until '68, tracks such as the lively, percussive "Mas Que Nada" and the enthusiastic treatment of the Beatles' "Day Tripper" feature all of Brasil 66's trademarks, most notably Mendes's spry keyboard lines and the bold, expressive vocals of Lani Hall, which stood in sharp contrast to the lighter Astrud/Joao Gilberto singing approach of the era.
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