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Deep in the Iris [Digipak]
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Album: Deep in the Iris [Digipak]
# Song Title   Time
1)    Letting Go
2)    Taste
3)    Blondie
4)    Happy When
5)    Miniskirt
6)    Getting Tired
7)    Sore Eyes
8)    Bunny Rose
9)    Warm Like Summer
 
Product Details
Performer Notes
  • Audio Mixers: Damian Taylor; Braids.
  • Recording information: Arbuckle Hollow, Delhi, NY (03/2014-09/2014); Hinton House, Putney, VT (03/2014-09/2014); The Campion Cabin, Prescott, AZ (03/2014-09/2014).
  • There's always been a therapeutic quality to Braids' soul-searching dream pop, from the vulnerable sensuality of Native Speaker to Flourish//Perish's frosty meditations on grief and loss. On Deep in the Iris, the trio reconciles both approaches, working through the aftermath of a crisis with a focus on healing. "Friends, lovers and enemies . I forgive them, I hope they forgive me" Raphaelle Standell-Preston sings on "Letting Go," and throughout the album, emotions are almost as tangible as the people feeling them. This is most obvious on "Miniskirt," a stream-of-consciousness history of sexual violence where Preston traces her feelings of violation and objectification back to her mother's domestic abuse, with a throaty abandon that recalls a vengeful Liz Fraser, but it also lends catharsis to Deep in the Iris' quieter moments. The way "Happy When"'s emotional tenor changes as gradually and dramatically as a late afternoon turning to twilight recalls the way Bj?rk (another of Braids' influences) used Vulnicura's wide-format songs to follow complicated feelings all the way through to their half-lives. Even a shorter song like "Getting Tired" contains a wealth of emotions despite its brevity. Less electronic than Flourish//Perish, the album's warmer, more organic sound complements these shifts beautifully, whether the band balances them with gymnastic beats on "Blondie" or lets their heat anchor tracks like "Taste," a shimmering realization of falling back in love that is one of Braids' finest songs yet. Deep in the Iris honors emotional states that aren't easy to express -- musically or otherwise -- and brings a clarity to them that make it some of the band's most empathetic music. ~ Heather Phares
Professional Reviews
Rolling Stone - "[T]here's an inviting new clarity to what Braids are doing: piano chords ground the synth and guitar whirls; the hooks sink in. It's immersive music that's less about escape than exploration."

Pitchfork (Website) - "The glitchy, warped surface is offset by the clarity and versatility of Standell-Preston's narrative vocals, which pull everything into focus."
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