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Days of Future Passed [Bonus Tracks]
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Album: Days of Future Passed [Bonus Tracks]
# Song Title   Time
1)    The Day Begins More Info... 5:52
2)    Dawn: Dawn Is A Feeling More Info... 3:49
3)    The Morning: Another Morning More Info... 3:56
4)    Lunch Break: Peak Hour More Info... 5:30
5)    The Afternoon More Info... 8:24
6)    Evening More Info... 6:41
7)    Nights In White Satin Album Version / Incl. "Late Lament" More Info... 7:26
8)    Don't Let Me Be Misunderstood BBC Session: Saturday Club More Info... 2:22
9)    Fly Me High More Info... 2:54
10)    I Really Haven't Got The Time More Info... 3:07
11)    Love And Beauty More Info... 2:24
12)    Leave This Man Alone More Info... 2:59
13)    Cities More Info... 2:23
14)    Tuesday Afternoon Alternate Mix More Info... 4:20
15)    Dawn: Dawn Is A Feeling Alternate Version More Info... 2:20
16)    The Sun Set Alternate Version With No Orchestra More Info... 2:49
17)    Twilight Time Alternate Vocal Mix More Info... 2:28
 

Album: Days of Future Passed [Bonus Tracks]
# Song Title   Time
1)    The Day Begins More Info... 5:52
2)    Dawn: Dawn Is A Feeling More Info... 3:49
3)    The Morning: Another Morning More Info... 3:56
4)    Lunch Break: Peak Hour More Info... 5:30
5)    The Afternoon More Info... 8:24
6)    Evening More Info... 6:41
7)    Nights In White Satin Album Version / Incl. "Late Lament" More Info... 7:26
8)    Don't Let Me Be Misunderstood BBC Session: Saturday Club More Info... 2:22
9)    Fly Me High More Info... 2:54
10)    I Really Haven't Got The Time More Info... 3:07
11)    Love And Beauty More Info... 2:24
12)    Leave This Man Alone More Info... 2:59
13)    Cities More Info... 2:23
14)    Tuesday Afternoon Alternate Mix More Info... 4:20
15)    Dawn: Dawn Is A Feeling Alternate Version More Info... 2:20
16)    The Sun Set Alternate Version With No Orchestra More Info... 2:49
17)    Twilight Time Alternate Vocal Mix More Info... 2:28
 
Product Description
Product Details
Performer Notes
  • The Moody Blues: Justin Hayward (vocals, guitar); Ray Thomas (flute, harmonica); Mike Pinder (keyboards); John Lodge (bass); Graeme Edge (drums).
  • Additional personnel: Peter Knight (conductor); The London Festival Orchestra.
  • Includes liner notes by Hugh Mendl.
  • All tracks have been digitally remastered
  • Additional personnel: Peter Knight (conductor); The London Festival Orchestra.
  • Includes liner notes by Hugh Mendl.
  • This is a DTS CD, which features DTS 5.1 Surround Sound technology and is playable on a DTS-capable 5.1 Surround Sound system.
  • Additional personnel: Peter Knight (conductor); The London Festival Orchestra.
  • Includes liner notes by Hugh Mendl.
  • Audio Remasterers: Justin Hayward ; Alberto Parodi.
  • Liner Note Author: Hugh Mendi.
  • Recording information: Decca Studios, West Hampstead, London, England (05/09/1967-10/26/1967).
  • DAYS OF FUTURE PASSED is the Moody Blues' true contribution to rock history: the most cohesive integration of rock songs with orchestral music ever produced. Asked by Deram Records to create a rock reworking of Dvorak's "New World" Symphony, the Moodies instead wrote their own symphony, a song cycle that describes the emotions that accompany each part of the day, from dawn ("Dawn Is A Feeling") to night (the classic "Nights In White Satin"). The songs are connected by lush orchestral passages in which the basic musical themes are reworked. Meanwhile, the band had already begun to sound like its own orchestra, using signature Mellotron string sounds, flutes, tympani and multiple vocalists.
Professional Reviews
Spin (01/04, p.48) - "...[The LP] made a prog signature of the Mellotron, a primitive tape-loop-triggering keyboard that tripsters still covet..."

Spin (01/04, p.48) - "...[The LP] made a prog signature of the Mellotron, a primitive tape-loop-triggering keyboard that tripsters still covet..."

Spin (01/04, p.48) - "...[The LP] made a prog signature of the Mellotron, a primitive tape-loop-triggering keyboard that tripsters still covet..."

Uncut (p.120) - 4 stars out of 5 -- "[T]he Moodies wrote songs about Timothy Leary and the astral plane, recited sixth-form verse over flutes and sitars, and made concept albums without a concept.....Symphonic."
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