This is an enhanced CD, which contains both regular audio tracks and multimedia computer files.
The Pixies: Black Francis (vocals, guitar); Kim Deal (vocals, bass); Joey Santiago (guitar); David Lovering (drums).
Producers include: The Pixies, Gil Norton, Gary Smith.
Engineers include: Steve Haigler, Paul Kolderie, Ronnie Stone.
Recorded in London, England, Edinburgh, Scotland, Los Angeles, California, and Boston, Massachusetts. Includes liner notes by Black Francis.
Audio Mixer: John Loder.
Recording information: Eden Studio, Newtonville, MA (05/01/1998); Fort Apache, Boston, MA (05/01/1998); Master Control, Burbank, CA (05/01/1998); Palladium, Edinburgh, Scotland (05/01/1998); Town And COuntry Club, London, England (05/01/1998).
Like the rest of 4AD's Pixies retrospectives, Complete B-Sides is equally exciting and frustrating: Many of their B-sides are just as good as their album tracks, so it's terrific to see them collected onto a single disc. But a number of factors make it somewhat disappointing, not the least of which is that Complete B-Sides is available only as a U.K. import due to U.S. licensing problems. That won't dissuade Pixies diehards from seeking it out, but many longtime fans probably already have these songs, either on the original singles or on the bootlegs that proliferated while 4AD inexplicably sat on them. At any rate, Complete B-Sides mostly delivers the goods, kicking off with a ferocious version of "River Euphrates" from the Gigantic single. Witty, spooky Doolittle B-sides like "Manta Ray," "Weird at My School," and "Into the White" are so good that it's a shame they weren't saved for Bossanova, when the band really could have used them. Meanwhile, the Neil Young cover "Winterlong," which also appeared on The Bridge tribute, reaffirms the Pixies' ability to turn any artist's songs into their own. Not every song here scales these heights -- "Bailey's Walk" and "Dancing the Manta Ray" are slightly less inspired bits of Doolittle-era pop perversity, and the snappy, strutting "Santo" and demented cow punk of "Build High" weren't quite ready for prime time, but they're still more interesting than many other bands' A-side material. Quirky cuts like "Make Believe," David Lovering's strangely charming tribute to Debbie Gibson, give the collection extra personality. The album also features some fun, if not extremely informative, comments about each track from Frank Black, as well as the clips for "Here Comes Your Man" and "Allison," which will only make fans clamor for the next logical Pixies release: a video collection. Though it doesn't quite do justice to the band's legacy, Complete B-Sides does a good job of filling in the gaps in the Pixies' body of work. ~ Heather Phares
Q (4/01, p.121) - 3 stars out of 5 - "...Exciting proof that artfulness and rocking hard need not be mutually exclusive..."