Charlie Wilson's War [Original Motion Picture Soundtrack]

Rating

Album: Charlie Wilson's War [Original Motion Picture Soundtrack]
#	Song Title	Time
1)	Charlie Wilson's War, film score: Charlie Wilson
2)	Charlie Wilson's War, film score: Telex Machine
3)	Charlie Wilson's War, film score: Jailbait
4)	Charlie Wilson's War, film score: Refugee Camp
5)	Charlie Wilson's War, film score: It's Up To Me
6)	Charlie Wilson's War, film score: The Belly Dancer
7)	Charlie Wilson's War, film score: The Belly Dancer
8)	Charlie Wilson's War, film score: Turning The Tide
9)	Charlie Wilson's War, film score: Balcony
10)	Charlie Wilson's War, film score: Honored Colleague

Album: Charlie Wilson's War [Original Motion Picture Soundtrack]
#	Song Title	Time
1)	Charlie Wilson's War, film score: Charlie Wilson
2)	Charlie Wilson's War, film score: Telex Machine
3)	Charlie Wilson's War, film score: Jailbait
4)	Charlie Wilson's War, film score: Refugee Camp
5)	Charlie Wilson's War, film score: It's Up To Me
6)	Charlie Wilson's War, film score: The Belly Dancer
7)	Charlie Wilson's War, film score: The Belly Dancer
8)	Charlie Wilson's War, film score: Turning The Tide
9)	Charlie Wilson's War, film score: Balcony
10)	Charlie Wilson's War, film score: Honored Colleague

Performer Notes

Personnel: James Newton Howard; Hovig Krikorian (vocals); Ray Herndon, George Doering (guitar); John Bilezikjian (oud); Gabe Witcher (fiddle); Matt Rollings (piano); Jim Keltner (drums); Satnam Ramgotra (frame drum, tabla); Bob Zimmitti, Mike Fisher (percussion).
Audio Mixers: Tom Syrowski; Adam Michalak; Greg DePante; Mark Eshelman.
Recording information: Henson Recording Studios, Hollywood, CA; James Newton Howard Studios, Santa Monica, CA; Sony Pictures Scoring Stage, Culver City, CA.
Like the Mike Nichols political dramedy it accompanies, James Newton Howard's score for Charlie Wilson's War journeys from the American Midwest to the Middle East and back again, juxtaposing homespun folk melodies and accents with colorfully ethnic instruments and rhythms. Howard is more effective at this kind of pan-cultural fusion than most, and his melodies sound as natural and evocative when performed on fiddle and pedal steel as they do when interpreted via wailing vocals and hand percussion -- of course, the orchestral sections are also far too ponderous for their own good, as Howard once again mistakenly equates scale with dramatic impact. But even if Charlie Wilson's War succumbs to the composer's usual weaknesses, it nevertheless sends his music in promising new directions. ~ Jason Ankeny

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