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Ceremonials
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Album: Ceremonials
# Song Title   Time
1)    Only If for a Night
2)    Shake It Out
3)    What the Water Gave Me
4)    Never Let Me Go
5)    Breaking Down
6)    Lover to Lover
7)    No Light, No Light
8)    Seven Devils
9)    Heartlines
10)    Spectrum
11)    All This and Heaven Too
12)    Leave My Body
 

Album: Ceremonials
# Song Title   Time
1)    Only If for a Night
2)    Shake It Out
3)    What the Water Gave Me
4)    Never Let Me Go
5)    Breaking Down
6)    Lover to Lover
7)    No Light, No Light
8)    Seven Devils
9)    Heartlines
10)    Spectrum
11)    All This and Heaven Too
12)    Leave My Body
 
Product Description
Product Details
Performer Notes
  • Personnel: Florence Welch (vocals); Rob Ackroyd (guitar); Tom Monger (harp); Christopher Lloyd Hayden (drums).
  • Liner Note Author: Emma Forrest.
  • Recording information: Abbey Road; Wolf Tone Studios, London.
  • Photographer: Tom Beard.
  • There's a point just past the halfway mark on "Shake It Out," the rousing first single from Florence + the Machine's second studio release, when the swelling guitars, organs, and strings, staccato percussion, and Florence Welch's air-raid siren of a voice lock up in a herculean battle over which one is going to launch itself into the stratosphere first. It's a contest that plays out at least once on each of Ceremonials' immaculately produced 12 tracks. Such carefully calculated moments of rhapsody would dissolve into redundant treacle in less capable hands, but Welch does emotional bombast better than any of her contemporaries, and when she wails into the black abyss above, the listener can't help but return the call. Bigger and bolder than 2009's excellent Lungs, Ceremonials rolls in like fog over the Thames, doling out a heavy-handed mix of Brit-pop-infused neo-soul anthems and lush, movie trailer-ready ballads that fuse the bluesy, electro-despair of Adele with the ornate, gothic melodrama of Kate Bush and Floodland-era Sisters of Mercy. Producer Paul Epworth (Bloc Party, Friendly Fires) knows that the fiercest weapon in his arsenal is Florence herself, and he stacks her vocals accordingly, creating a fevered, pagan gospel choir on "What the Water Gave Me" and "Leave My Body," a ghostly, Phil Spector-ish chorale on the surprisingly Beatlesque "Breaking Down," and a defiant, uplifting horde of merry pranksters on the spirited "Heartlines," resulting in that rare sophomore outing that not only manages to avoid the slump, but bests its predecessor in the process. ~ James Christopher Monger
Professional Reviews
Rolling Stone (p.77) - 4 stars out of 5 -- "This is a very British record, drawing on a tradition of iconoclastic U.K pop that stretches from Kate Bush and Siouxsie and the Banshees to PJ Harvey."

Rolling Stone (p.71) - Ranked #27 in Rolling Stone's '50 Best Albums Of 2011' -- "[With] choirs and string players backing a voice that soars so high, it makes them seem like ants on the ground below."

Spin (p.67) - "[Welch is] a bloodied, bloodying songbird in a gilded cage of immaculately crafted, slow-burn, chest-beating empowerment anthems, gripping steel bars that her elegantly volcanic voice could shred at any moment."

Entertainment Weekly (p.74) - "[A] confident, unflinching tour de force....CEREMONIALS genuinely rocks..." -- Grade: A

Entertainment Weekly (p.100) - Ranked #5 in Entertainment Weekly's 'The Top 10 Albums Of 2011' -- "A big believer in Red Sea-parting melodrama, she's got the orchestral grandeur to pull it off."

Magnet (p.55) - "There's a marked '80s quality to the production that invigorates the music and nudges it into a meatier realm."

Q (Magazine) (p.118) - 5 stars out of 5 -- "CEREMONIALS is quite some achievement: an accomplished pop record infused with intelligence and imagination."
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