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Cafe Days Revisited

Album: Cafe Days Revisited
# Song Title   Time
1)    Black Denim Trousers and Motorcycle Boots
2)    Catch 22
3)    New York City
4)    Smoke My Cigarette
5)    Caf‚ Days
6)    Hey Little Boy (Little Girl)
7)    Girl in the Video
8)    99 Lbs.
9)    Pseudo Blues
10)    Louisianne
11)    Portobello
12)    Hostage
13)    Parchman Fram
14)    Flirt
15)    Put It on Hold
16)    Save a Life
17)    Call of the Wild
Product Details


Performer Notes
  • Personnel: Chris Spedding (vocals, guitar, bass); Steve Berlin (soprano saxophone, keyboards, percussion); Tony Garnier (bass), Gary Ferguson, Bobby Chouinard (drums); Brenda Lee Eager, Pat Carrington, Southside Johnny (background vocals).
  • Producers: Steve Berlin, Mark Linnet, Chris Spedding, Tom Treumuth, Shawn Pilot.
  • Adapter: Didier Scohier.
  • Personnel: Chris Spedding (vocals, guitar); Chrissie Hynde (vocals); Kurt Schefter (guitar); Steve Berlin (keyboards, percussion); Gary Ferguson , Steve Ferrone, Bobby Chouinard (drums); Toby Swann, Keith Whittaker (background vocals).
  • Audio Mixers: Mark Linnet; Ron Searles.
  • Audio Remixers: Chris Spedding; Rob Sanzo.
  • Recording information: Great Avenue, Hamilton, Canada (1989-1990); Hypnotic, Toronto, Canada (1989-1990); Sound Image, Los Angeles, CA (1989-1990).
  • Photographer: Alain Duplantier.
  • This is one of Chris Spedding's strongest albums. It arrived four years after his equally impressive ENEMY WITHIN and contains 10 originals and a cover of Mose Allison's "Parchman Farm." CAFE DAYS, like its predecessor, is filled with sly rhythmic tricks. The songs seem rather straightforward, and it's with repeated listenings that the subtle powers really emerge. This is also perhaps his best-sounding work, with credit going to Steve Berlin (of Los Lobos) and Mark Linnet.
  • Strong selections include the catchy "Put It on Hold" (which sounds like a cross between Mark Knopfler, David Bowie, and Dave Edmunds, and features Southside Johnny on backing vocals) and the characteristically driving title song. The set closes with the gorgeous "Portobello," a song that perfectly captures all of Spedding's allure, from the guitar tone and ensemble interplay, to his own casually impassioned singing.
Professional Reviews
Musician (4/93, p.93) - "...exudes confidence with every well-placed note..."

Audio Magazine (3/93, p.88) - "...his guitar playing is brilliant, as usual, and he has become a better songwriter....CAFE DAYS [is] a fair embodiment of his rock & roll attitude and guitar playing..."
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