In a Bar Under the Sea

Rating

Album: In a Bar Under the Sea
#	Song Title		Time
1)	I Don't Mind What Ever Happens	More Info...	0:46
2)	Fell Off The Floor, Man	More Info...	5:14
3)	Opening Night	More Info...	1:38
4)	Theme From Turnpike	More Info...	5:45
5)	Little Arithmetics	More Info...	4:30
6)	Gimme The Heat	More Info...	7:38
7)	Serpentine	More Info...	3:16
8)	A Shocking Lack Thereof	More Info...	5:52
9)	Supermarketsong	More Info...	1:57
10)	Memory Of A Festival	More Info...	1:52
11)	Guilty Pleasures	More Info...	4:23
12)	Nine Threads	More Info...	3:33
13)	Disappointed In The Sun	More Info...	6:03
14)	Roses	More Info...	4:52
15)	Wake Me Up Before I Sleep	More Info...	2:54

Album: In a Bar Under the Sea
#	Song Title		Time
1)	I Don't Mind What Ever Happens	More Info...	0:46
2)	Fell Off The Floor, Man	More Info...	5:14
3)	Opening Night	More Info...	1:38
4)	Theme From Turnpike	More Info...	5:45
5)	Little Arithmetics	More Info...	4:30
6)	Gimme The Heat	More Info...	7:38
7)	Serpentine	More Info...	3:16
8)	A Shocking Lack Thereof	More Info...	5:52
9)	Supermarketsong	More Info...	1:57
10)	Memory Of A Festival	More Info...	1:52
11)	Guilty Pleasures	More Info...	4:23
12)	Nine Threads	More Info...	3:33
13)	Disappointed In The Sun	More Info...	6:03
14)	Roses	More Info...	4:52
15)	Wake Me Up Before I Sleep	More Info...	2:54

Performer Notes

Deus: Craig Ward (vocals, acoustic, electric & slide guitars, mandolin, ukelele, saxophone); Tom Barman (vocals, acoustic & electric guitars, Hammond organ, synthesizer, percussion, samples); Stef Kamil Carlens (vocals, guitar, acoustic & electric basses, percussion); Klaas Janzoons (vocals, violin, piano, synthesizer, percussion); Jules De Borgher (drums, percussion, bells).
The Smith Quartet: Ian Humphries, Charles Mutter (violin); Nic Pendlebury (viola); Deirdre Cooper (cello).
Additional personnel: Didier Fontaine (vocals); Rudy Trouve (vocals, guitar, ukelele, piccolo, harmonica); Dana Colley (saxophone); Bart Maris (trumpet); Pieter Lamot (trombone); Eric Drew Feldman (piano, Hammond organ, shaker, egg, percussion); Piet Jorens (piano, gong); Scott McCloud, Jim Brumby.
Recorded at Galaxy Studios, MOL, Belgium.
Producing the opening track "I Don't Mind Whatever Happens" to sound like a scratchy blues track from 1930 may well be the little joke of either the band or producer Eric Drew Feldman in homage to his former boss Captain Beefheart. The results work pretty well anyway, though, and that characterizes the same "try it, let's see what happens" spirit through In a Bar. Having established its own sense of savvy white boy urban blues on Worst Case Scenario, the band explores more ways around it on its second effort, generally favoring a quieter, calmer result throughout. New guitarist Craig Ward fits into the lineup well, business carrying along as usual in its striking way. Feldman proves to be an excellent guy to have behind the boards; whether it's he or the band who figures out some of the fantastic stop on a dime shifts and arrangements throughout, all work together with great results. Clever sampling once again crops up: Mingus' "Far Wells, Mill Valley" gets a nod on the smoky snarl "Theme From Turnpike." "Fell Off the Floor, Man" is another high-point, so accomplished and sly in its genre shifting and moods that Beck could be envious. Scott McCloud of Girls Against Boys, a perfectly appropriate guest, takes a bow with some spoken word philosophy, but it's the band's blend of low, spoken vocals, weird harmonies, and sudden shifts between tight rhythms and slabs of feedback that make it all work. Another American takes a bow as well -- Dana Colley, saxophonist for Morphine, on the brief "Supermarketsong" -- but mostly it's all dEUS proving that Belgians can indeed rock. Whether it's the gentle strum and swing (then much more intense break) of "Little Arithmetics," the Built to Spill five years before its time pace and delivery of "Gimme the Heat," or the lovely piano-into-guitar anthem "Disappointed in the Sun," In a Bar is worth the finding. ~ Ned Raggett

Professional Reviews

Spin (4/97, p.160) - 8 (out of 10) - "...while it's quite the '90s thing to channel marginalist tricks into archyly clever pop songs, Deus make some of the more unabashedly beautiful and ambitious music you'll ever drown your sorrows to, with hardly a smirk..."

Option (7-8/97, p.101) - "...Deus is many different sounds from one band....manages to slide in and out of tones and moods almost seamlessly, smoothly shifting where a lesser band would strip the gears and grind to a halt..."