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Bad to the Bone [25th Anniversary Edition]
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Album: Bad to the Bone [25th Anniversary Edition]
# Song Title   Time
1)    Back to Wentsville
2)    Blue Highway
3)    Nobody But Me
4)    It's a Sin
5)    New Boogie Chillun
6)    Bad to the Bone
7)    Miss Luann
8)    As the Years Go Passing By
9)    No Particular Place to Go
10)    Wanted Man
11)    That Philly Thing - (B-Side Of Nobody But Me)
12)    Blue Highway - (New Recordings)
13)    New Boogie Chillun - (New Recordings)
14)    No Particular Place to Go - (New Recordings)
15)    As the Years Go Passing By - (New Recordings)
16)    Bad to the Bone - (New Recordings)
17)    Wanted Man - (New Recordings)
 

Album: Bad to the Bone [25th Anniversary Edition]
# Song Title   Time
1)    Back to Wentsville
2)    Blue Highway
3)    Nobody But Me
4)    It's a Sin
5)    New Boogie Chillun
6)    Bad to the Bone
7)    Miss Luann
8)    As the Years Go Passing By
9)    No Particular Place to Go
10)    Wanted Man
11)    That Philly Thing - (B-Side Of Nobody But Me)
12)    Blue Highway - (New Recordings)
13)    New Boogie Chillun - (New Recordings)
14)    No Particular Place to Go - (New Recordings)
15)    As the Years Go Passing By - (New Recordings)
16)    Bad to the Bone - (New Recordings)
17)    Wanted Man - (New Recordings)
 
Product Description
Product Details
Performer Notes
  • George Thorogood & the Destroyers: Buddy Bleach (saxophone); Ian Stewart (piano); Billy Blough (bass guitar); Hank Carter, George Thorogood , Jim Suhler, Jeff Simon.
  • Personnel: George Thorogood , Jim Suhler (vocals, guitar); Buddy Leach, Hank Carter (saxophone); Jeff Simon (drums).
  • Audio Mixer: John Hampton.
  • Liner Note Author: Scott Schinder.
  • Recording information: Ardent Studios, Memphis, TN.
  • Author: George Thorogood .
  • Photographer: Billy Blough.
  • George Thoroughgood first released BAD TO THE BONE in 1982. The disc was his major label debut, but little had changed from his previous approach: the album was still full of the straight-ahead hard-hitting blues-based rock his following had come to expect. Not surprisingly, little about that approach has changed in the decades following, which is one of the reasons the 2007 reissue still sounds relevant. The sound of his band, the Destroyers, can still peel paint, and the covers of Albert King, Jimmy Reed, and John Lee Hooker are full of bar-band bravado. Naturally, the title track, which has grown into an FM radio classic over the years, still shines, as does Thoroughgood's stinging slide work.
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