Back Door Men

Rating

Album: Back Door Men
#	Song Title		Time
1)	Bad Little Woman	More Info...	0:02
2)	Gospel Zone	More Info...	0:03
3)	The Behemoth	More Info...	0:02
4)	Three for Love	More Info...	0:02
5)	Hey Joe	More Info...	0:05
6)	Gospel Zone (Single Version)	More Info...	0:03
7)	Willie Jean	More Info...	0:02
8)	I'll Make You Sorry	More Info...	0:02
9)	Peepin' and Hidin'	More Info...	0:03
10)	Tomorrow's Going to Be Another Day	More Info...	0:02
11)	New York Bullseye	More Info...	0:02
12)	High Blood Pressure	More Info...	0:03
13)	Spoonful	More Info...	0:03
14)	I'm Gonna Make You Mine	More Info...	0:02

Album: Back Door Men
#	Song Title		Time
1)	Bad Little Woman	More Info...	0:02
2)	Gospel Zone	More Info...	0:03
3)	The Behemoth	More Info...	0:02
4)	Three for Love	More Info...	0:02
5)	Hey Joe	More Info...	0:05
6)	Gospel Zone (Single Version)	More Info...	0:03
7)	Willie Jean	More Info...	0:02
8)	I'll Make You Sorry	More Info...	0:02
9)	Peepin' and Hidin'	More Info...	0:03
10)	Tomorrow's Going to Be Another Day	More Info...	0:02
11)	New York Bullseye	More Info...	0:02
12)	High Blood Pressure	More Info...	0:03
13)	Spoonful	More Info...	0:03
14)	I'm Gonna Make You Mine	More Info...	0:02

Performer Notes

Personnel: Jim Sohns (vocals, marimba, maracas, tambourine); Joe Kelley (guitar, harp, harmonica); Warren Rogers, Jerry McGeorge (guitar); Hawk (piano, organ, keyboards); Tom Schiffour (drums).
Recording information: Universal Recording Corp., Chicago, IL.
Photographers: Paul Hippensteel; Steve Besch; Clark Besch; Jeff Jarema.
The original LP version of this album, the second by the legendary white Chicago garage punk/blues outfit, was one of the most sought-after artifacts of mid-'60s punk rock. Back Door Men was a loud, feedback-laden, sneering piece of rock & roll defiance, mixing raunchy anthems to teenage lust ("Gospel Zone," "Bad Little Woman"), covers of Chicago blues classics (Willie Dixon's "Spoonful," Jimmy Reed's "Peepin' and Hidin'"), raga rock ("The Behemoth"), folk-rock ("Hey Joe," "Three for Love," "I'll Make You Sorry"), and a blues-punk grab off of commercial Top 40 ("Tomorrow's Gonna Be Another Day") all on one 12" platter. What makes the record even more startling is that every one of these tracks, however far afield they go from one another, works. The band strides across the music spectrum with a reach and boldness that most listeners usually only associate with the likes of the Beatles or the Rolling Stones, and a grasp that, for a moment here, may have exceeded either of those groups, as they slide from electric guitar into extended Chess-style blues instrumentals ("New York Bullseye"). ~ Bruce Eder

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